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Basic Concepts of Aesthetics at the new Century

Basic Concepts of Aesthetics at the new Century
新世纪美学基本概念
批准号:
16520073
负责人:
SASAKI Ken-ichi
金额:
$2.24万
依托单位:
依托单位国家:
日本
项目类别:
Grant-in-Aid for Scientific Research (C)
财政年份:
2004
资助国家:
日本
项目状态:
已结题
起止时间:
2004 至 2006

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中文摘要
翻译
我在《科学报告》中发表了7篇关于以下概念的研究:“前卫”——这一概念预设了历史上的进步概念和将艺术视为代表高级文化的观点。它所宣称的新颖性与商业主义联系在一起,并以其对“技艺”的忽视从根本上改变了艺术的存在,从而引发了对艺术的重新定义。“新颖性/原创性”——新颖性涉及感知,而原创性则是现代西方特有的对新颖性的评价性判断。但随着现代性的理念,简约的新颖性和时尚性,甚至是对耸人听闻的坚持都得到了强调。“崇高”源于修辞学,指的是精神效果。在近代早期,它成为审美的基本范畴之一,意为极大或极强的力量。它在20世纪下半叶的复活是因为一些哲学家对它进行了去审美化,并与前卫的批判精神有关。“叙事”包含三种不同的内容;叙述、文本和相关事实。它的本质在于把两个事实作为因果联系起来。它的哲学旨趣在于这种现象学特征。“复制”是艺术品的倍增。有两种:一种是原创的,另一种是没有原创的。随着技术的飞速进步,再现变得极其重要,尤其是所谓的“拟像”,即没有物质性的符号,它正在改变审美体验的风格。“优雅/色情”。近代被视为运动之美的优雅,原本是生命之美,与情爱之美重叠。从这样的观点出发,我们可以在生命和文明的基础上把握创造性活动。“节奏”是指对运动现象的生命感。虽然它在19世纪被认为是音乐的精华,但在20世纪音乐中被溶解了。它的重要性现在体现在体育和舞蹈等身体运动中。少
英文摘要
I publish in the Scientific Report 7 studies on the following concepts :"Avant-garde" - this notion presupposed the historical conception of progress and the view regarding art as the representative high culture. The newness it claimed for was linked with the commercialism, and radically changed the being of art with its neglect of "metier", as to raise the re-definition of art."Newness/originality" - while the newness concerns perception, originality is the evaluative judgment on newness peculiar to the modern West. But with the concept of modernity, simple newness and fashion, and even the insistence of the sensational have been emphasized."The sublime" comes from rhetoric and designated the spiritual effect. In early modern times, it became one of the basic aesthetic categories, meaning the power of extremely large or strong. Its resurrection at the second half of the 20^<th> Century was done because some philosophers de-aesthetized it and related to the avant-gardist critical spiri … More t."Narrative" comprehends three different things ; narration, text, and the related fact. Its essence consists in the making the connection of two fact as cause and effect. It owes its philosophical interest to this phenomenological feature."Reproduction" is a multiplication of art object. There are two sorts: one with original and the other without original. Along with the radical progress of technology, reproduction has become extremely important, and especially with so-called "simulacra" that is signs without materiality, it is modifying the style of aesthetic experience."Grace/the erotic". Grace, regarded as the beauty of movement in modern times, was originally the beauty of life, and overlaps with the erotic. From such a viewpoint, we can grasp creative activity on the basis of life and civilization."Rhythm" means the vital feeling of moving phenomena. Although having been regarded as essence of music at the 19^<th> Century, it was dissolved in the 20^<th> Century music. Its importance is now found in bodily movement such as sports and dance. Less
期刊论文(58)
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科研奖励(0)
会议论文
都市景観の構造(2)
城市景观结构(二)
DOI: --
发表时间: 2007
期刊: 地域開発 509
影响因子: --
作者: [SASAKI, Ken-ichi, 佐々木 健一, 佐々木 健一]
通讯作者: 佐々木 健一
The Long Gaze of the Epic : On Tanbour sur ladigue by Cixous/Mnouchkine
史诗的漫长凝视:论拉迪格河畔的坦布尔 by Cixous/Mnouchkine
DOI: --
发表时间: 2006
期刊: Aesthetics and Culture-East and West
影响因子: --
作者: [SASAKI, Ken-ichi, 佐々木 健一, 佐々木 健一, 佐々木 健一, Ken-ichi SASAKI]
通讯作者: Ken-ichi SASAKI
ディドロにおける美の形而上学(上)-『絵画論』第7章とその原点
狄德罗的美形而上学(上)——《论绘画》第七章及其起源
DOI: --
发表时间: 2006
期刊: 精神科学 44
影响因子: --
作者: [SASAKI, Ken-ichi, 佐々木 健一, 佐々木健一]
通讯作者: 佐々木健一
都市景観の構造(3)
城市景观结构(3)
DOI: --
发表时间: 2007
期刊: 地域開発 510
影响因子: --
作者: [SASAKI, Ken-ichi, 佐々木 健一, 佐々木 健一, 佐々木 健一]
通讯作者: 佐々木 健一
共 29 条
    Development of fine shimming technique for precision physic measurements
    Study of the basic concepts in old and new aesthetics
    Modern Japanese Aesthetics (Meiji-Taisho era)
    • 批准号:
      12301003
    • 项目类别:
      Grant-in-Aid for Scientific Research (A)
    • 资助金额:
      $31.35万
    • 财政年份:
      2000
    • 负责人:
      SASAKI Ken-ichi
    • 依托单位:
    Research on the Historical Development of the Work-Concept
    • 批准号:
      07301063
    • 项目类别:
      Grant-in-Aid for Scientific Research (A)
    • 资助金额:
      $3.39万
    • 财政年份:
      1995
    • 负责人:
      SASAKI Ken-ichi
    • 依托单位:
    国内基金
    海外基金
    新环境适应的海马突触可塑性机制
    • 批准号:
      31040085
    • 项目类别:
      专项基金项目
    • 资助金额:
      19.0万元
    • 批准年份:
      2010
    • 负责人:
      董志芳
    • 依托单位: