Artistic and Literary Representations of Sacred Spaces - From New Classicism to Romanticism

本文以“神圣空间的艺术与文学再现--从新古典主义到浪漫主义”为主题，旨在描述19^世纪法国的精神氛围<th>。其重点是18世纪中期<th>至19世纪早期<th>的法国，特别是万神殿和马德琳神庙等巴黎地标，其中包含绘画和雕塑，形成内部空间，以及外部空间，如位于主要纪念碑附近的花园。这项研究让我们看到“神圣空间”是如何被代表的，它们是如何体现社会和宗教思想的，最后，它们是如何与文学联系在一起的。在这篇对我们的一些研究成果的总结介绍中，我们开始解释了巴黎万神殿最初建造时的意义，以及它如何成为杰出人物的陵墓，包括艺术家（荒木真太）。我们还分析了玛德琳临时公寓的彩绘天花板 ...更多信息 乐，另一个显着的例子，建筑的时间，关系到“梦想的浪漫主义和人类史诗”之间的交流画家和作家（田村武）。就绘画而言，通过对波德莱尔的批评作品的阅读，以及对大卫的《马勒遇刺》和杜米埃的《特兰纳农街》的比较，可以把新古典主义向现实主义的过渡看作是理想与现实的冲突（吉村和明）。我们的研究终于看到了它的视野扩大了贡献，从初级研究人员，如：考试的“西瑟拉岛”，华托，诺迪耶，奈瓦尔，波德莱尔描述为一个理想的天堂（Yasuoka（TAGUCHI）阿基），一个定义的“西瑟拉岛的巴黎”在19世纪后期出现在左拉的一些作品作为一个田园<th>乌托邦（田中拓三），并发现一个事实，即代表性的“宇宙”，超越了个人的自我，我们发现在勒克莱齐奥的著作是一种新的“神圣化的空间”（铃木正夫）。从建筑、绘画和文学等广泛领域中精心挑选的参考书目附后（铃木正夫）。少

The purpose of this research on the subject of "Artistic and Literary Representations of Sacred Spaces - From New Classicism to Romanticism" is to describe France's spiritual atmosphere in the 19^<th> century. Its focus is on mid-18^<th> century to early 19^<th> century France, and especially on such Parisian landmarks as the pantheon and the Madeleine temple, which host paintings and sculptures forming an internal space, as well as on external spaces such as the gardens that are located in the vicinity of major monuments. This study allows us to see how "sacred spaces" are represented, how they embody social and religious thought, and finally, how they relate to literature. In this summarized presentation of some of the results of our research, we begin by explaining what the pantheon in Paris was originally meant for when it was built, and how it became a mausoleum for illustrious individuals, including artists (ARAKI Zenta). We also analyze the painted ceilings of the Madeleine temp … More le, another remarkable example of the architecture of the time, in relation with "the dreams of romanticism and the human epic" enabled by exchanges between painters and writers (TAMURA Takeshi). As far as painting is concerned, a reading of Baudelaire's critical work and a comparison between David's "Mahler assassinated" and Daumier's "Transnanon street" provide material to construe the transition from new-classicism to realism as a conflict between represented ideals and reality (YOSHIMURA Kazuaki). Our research finally sees its perspective broadened by contributions from junior researchers such as : examinations of the "island of Cythera" that Watteau, Nodier, Nerval, and Baudelaire described as an ideal paradise (YASUOKA (TAGUCHI) Aki), a definition of the "suburbia of Paris" in the late 19^<th> century which appears in some works of Zola as a pastoral utopia (TANAKA Takuzo), and a discovery of the fact that representations of a "cosmos" that transcends an individual ego which we find in Le Clezio's writings are a new kind of "sacralization of space" (SUZUKI Masao). A bibliography carefully selected from a wide range of fields, which covers architecture, paintings and literature, is attached (SUZUKI Masao). Less