Research on the narrative of praboles in the stained-glasses of Chartres Cathedral.

1. 关于研究图形材料的制作，我已经完成了我们之前拍摄的幻灯片中重要细节的放大和分类。我主要研究了沙特尔大教堂浪子比喻的窗口，并发表了部分研究结果。我已经做了一份报告，在这篇文章中无法处理的问题。我从以下几个方面展开了对这些问题的思考：(1)对寓言在基督教宗教实践中的地位，特别是在西方中世纪的历史考察，以及对代表抛物线的视觉形象所完成的功能的考察；(2)考虑一种视觉修辞，利用抛物线的视觉表现，并在12世纪下半叶在类型学图像领域加以完善，将旧约和新约的问题联系起来；(3)澄清这一窗口试图通过构成故事的元素之间的对立和类比，在视觉上实现隐喻中包含的神学信息的有效交流，这一事实需要修正冈冈·坎普的观点，他提出在这一窗口中看到的是一个重视故事叙事发展连续性的作品；(4)对视觉修辞的思考，利用这扇窗户的发音系统和几何构图所呈现的可能性，这是13世纪初彩色玻璃这种视觉媒介的特征。我对好撒玛利亚人之窗的研究还没有充分展开，这将是今后研究的对象。

1. As to the making of graphic materials of reserch, I have finished the magnifaication and the classification of important details in our slides taken before.2. I studies mainly the window of the parabole of Prodigal Son at Chartres Cathedral, and published a part of its results. I have made a report on the points that couldn't be treated in this publication. I developped considerations in these matters from the viewpoints that are : (1) historical survey on the posiition of parabloes in the religious practice of the Christianity, particularly in the Western Middle Ages, and on the functions accomplished by the visual images representing paraboles ; (2) consideration on a sort of visual rethoric, exploited in visual representations of paraboles and refined during the second half of the 12th century in the fiield of typologcal images that connects matters of the Ancient and New Testaments ; (3) clarification of the fact that this window seeks to realize visually a effective communication of theological messages included in the parabole through oppositions and analogies between the elements composing the story, and this fact requires to revise the view of Wolfgang Kemp, who proposed to see in this window a work attaching importance to the continuity of narrative development of the story ; (4) consideration on the visual rhetoric that explited the possiblities presented by articulation system and geometrical composition in this window, which are characteristic of this visual medium, the stained glass of the biginning of the 13th century.3. I have not developped sufficiently the study on the window of the Good Samaritan, that will be the object of coming research.