Transborder artists : Hispanic artists and their relationships with the art system

这项研究是在欧洲、美国、拉丁美洲和加勒比地区的主要博物馆以及韦内蒂亚双年展、文献展、圣保罗双年展等公认的国际展览中进行的，重点是西班牙裔艺术家及其作品。此外，本研究还包括一段在古巴和秘鲁采访艺术家和策展人的录像。艺术作为兴起于西方的文化体系之一，通过驯化异国情调，在地缘政治上扩大了自己的影响范围。实际上，第三世界艺术家和土著艺术家正在积极参与当代艺术的世界。然而，在毕加索的时代，他的灵感来自特罗卡德罗民族志博物馆的面具和非洲雕像，现代艺术世界中没有第三世界艺术家。詹姆斯·克利福德提出了路线的概念，并讨论了旅行文化。由于全球化的推进和个人流动性的增加，人们对特定地区、族群和国家的归属感发生了变化。从这个角度出发，我研究了艺术家跨越国界的意义，重点是拉丁美洲艺术家及其与艺术体系的关系。并对高雅艺术、民间艺术、大众艺术、旅游艺术等进行了相对的分类。本研究的结论是：1.第三世界艺术家需要不断地前往欧洲或美国等艺术世界的中心，以促进他们作为艺术家的职业生涯; 2.艺术家与他们的家园之间的关系的转变; 3.工作背景下的后殖民局势的地缘政治; 4.地方性作为文化资源和挪用策略。

This research was done in the main museums of Europe, the United States, Latin America and the Caribbean and in acknowledged international exhibitions at the Venetia Biennale, Documenta, the Sao Paulo Biennale, etc. focusing on the Hispanic artist and their works. In addition, this study included a video of interviews with the artist and curators in Cuba and Peru.Art, which is one of the cultural systems that arose in the West, has expanded its sphere of influence geopolitically by domesticating exotic. Actually Third World artists and indigenous artists are taking an active part in the world of contemporary art. However in the time of Picasso who was inspired by the masks and the statue of Africa in the Museum of Ethnography of the Trocadero, there were no Third World artists in the world of modern art.James Clifford presented the concept of routes, and discussed traveling cultures. Because of the advance of globalization and increased mobility of individuals, people's sense of belonging to a specific region, ethnic group, and the nation has changed. From this point of view, I studied the meaning of crossing borders for the artist, focusing on Latin American artists and their relationship to the art system. In addition, the classification of High Art, Folk Art, Popular art, and Tourist Art, etc. is made relative. In conclusion this research has clarified the following aspects;1.Third World artists need to travel constantly to centers of art world such as Europe or the United States in order to advance their professional careers as artists.2.Transformation of the relationship between artists and their home.3.Geopolitics of post-colonial situations in the context of work.4.Locality as cultural resource and a strategy of appropriation.