The historic significance of the German and Slavic culture contact in Germany between World Wars

四位研究者确定了以下研究主题：1.<Dostoevsky inflation>魏玛共和国时期的“在德国”2.流亡在柏林的俄罗斯人的活动及其文学作品3.魏玛共和国时期德国的犹太人问题4.德国与俄罗斯在电影制作技术上的相互关系通过调查，他们得出了以下结论：1.<Dostoevsky inflation>魏玛共和国时期的“在德国”起源于1906年。梅列日科夫斯基和穆勒·货车·登·布鲁克在这一过程中扮演了中间人的角色<Dostoevsky-nationalist>。2.对于流亡的俄罗斯人，特别是纳博科夫来说，柏林是和平生活的地方。纳博科夫在写他的一部小说时，写了两个（俄英）版本，使其更加鲜明<megalopolis novel>。3.对犹太人来说，魏玛时代是以“同化”为目标的变革的高潮。反犹太主义和犹太复国主义也加剧了这一现象。通过<Judentum>对德国电影从魏玛时期到第二次世界大战这段时间的细节分析，我们可以发现一个可以命名的方向性<baroque allegory drama>。这种不受社会潮流限制的方向性，对当代电影创作产生了很大的影响。

Four investigators set the following study theme :1.The <Dostoevsky inflation> in Germany of the Weimar Republic times2.The activity of exiled Russian in Berlin and their literary works3.Jewish problems in Germany of the Weimar times4.The interrelation of Germany and Russia in filmmaking techniquesAs a result of investigation, they reached the following conclusion.1.The <Dostoevsky inflation> in Germany of the Weimar Republic times has its origin in 1906. At that time D.Merezhkovsky and Moeller van den Bruck played an intermediary role in introducing the <Dostoevsky-nationalist> to Germany.2.For exiled Russians, particularly for V.Nabokov, Berlin was the ground of living in peace. In writing one of his novels Nabokov wrote two (Russian and English) versions to make it more distinct <megalopolis novel>.3.For Jewish people Weimar times were the climax of a change to aim at "assimilation". It was the times when anti-Semitism and Zionism added to intensity still more, too. It was <Judentum> as a fictional mental community that Jewish people in those days assumed to be a base of their own identity.4.By analyzing the detail of German movies from Weimar period to World War II we can find one directionality which can be named <baroque allegory drama>. This directionality, not being limited by social trends, have a great influence on recent filmmaking.