the Rhetorical Construction of Color and Sound, - Description of'Tone and Image

在这篇文章中，我试图从修辞学的角度来定义声音与颜色的关系，重点关注语言的表达。为了分析这个问题，我开始在许多不同的制作人身上取样钢琴声音的表达方式。我给我大学的学生发了问卷，问他们如何描述钢琴声音的不同，让他们听这些声音。他们对古典音乐不太熟悉，但经过一些练习，他们已经能够分辨出其中的细微差别，并能通过自己的话来猜测出所讨论的钢琴。一般来说，声音和/或声音不容易用语言来描述。这一特征与味觉或触觉的情况非常相似。所以，当我们想要描述声音、触觉或味觉的差异时，我们不是描述声音本身，而是依赖于物体的名字或发出声音的人的名字。如果我们不能通知或看到它，我们变得不安。声音与物体是联系在一起的。或者，我们应该说声音更多地与< i> >和周围的环境联系在一起。声音通过物体的名称和物体与大气的关系与我们联系在一起。用语言表达声音的困难来自于我们周围环境的多样性和模糊性。在这项研究中，我也试图分析我们是如何通过声音接收大气的。聚焦日本诗人在<Manyo-shu> >中的表达，我想说的是，声音/音调正是诗人自身的氛围。此外，针对日语的拟声词，我可以得到上述事实的另一个证明。特别是对日语来说，拟声词在认识世界方面有着重要的作用。

In this sturdy, I tried to define the relationship between Sound and Color from the rhetorical viewpoint, focusing on the verbal expression. To analyze this question, I have begun to sample the way of expression of pianos' sound in many varies makers. I distributed questionnaires to the students in my university and asked them how they describe the differences of pianos' sound, in making them listen these sounds. They were not so familiarized with classical music, but after some practices, they had become able to distinguish the nuances and could guess the piano in question, in telling the differences by their own words. Generally speaking, Sound and /or Voice are not easy to describe in words. This feature is quite similar to the case of Taste or sense of Touch. So, when we want to characterize the differences about Sound or Touch or Taste, instead of describe the sound itself, we depend on the name of the object or the person who/which utters its sound. In case when we cannot notify or see it, we became uneasy. Sound is connected with object. Or, we should say that sound is connected more with <I> and the environment around <I>. Sound is connected with us by the name of object and with by the relationship between subject <I> and the atmosphere. The difficulty of verbalization of Sound comes from this diversity and ambiguity of the atmosphere around us. In this study, I also tried to analyze how we receive the atmosphere by sound. Focusing the expressions in Japanese poets in <Manyo-shu>, I would like to tell that the Sound/ tone is just the atmosphere of poet himself. Besides, in aiming at Japanese onomatopoeia, I could get another proof on the above fact. Especially for Japanese language, onomatopoeia has a grate part in recognition of the world.