Study on the formation and the development of the"Esprit nouveau"in French"Belle Epoque"period

本文以“美好时代”时期的艺术批评和艺术思潮为切入点，力图从实证的角度审视20世纪初法国前卫运动的形成过程。为了这个目标，我们确信有必要在画家、艺术评论家、收藏家和经销商之间调查艺术世界与文学世界之间的关系，同时考虑到当代出版文化、社会运动和国际影响。我们的目标是用3年时间积累参考资料，巩固我们的国际联合研究制度，并正式公布我们的研究结果。在参考积累方面，我们已经达到了三年前确定的目标。去年（2011年），我们邀请了巴黎第三大学（Nouvelle Sorbonne）教授Daniel DELBREIL到京都，组织他在同志社大学和京都佐贺艺术大学的会议，并与他进行更亲密的科学会议。在这些宝贵的场合中，我们估计法国和日本学者之间的友好合作得到了成功的加强。

Dealing with the art criticisms and the artistic thoughts in the period of the"Belle Epoque", we aimed at throwing a positivist light on the forming process of the French avant-garde movements at the beginning of the 20th century. For that object, we were convinced that it was necessary to investigate the relationship between the artistic world and the literary one, among painters, art critics, collectors and dealers, having under consideration the contemporary publishing culture, social movements and international influences.We held up as our target of 3 years to accumulate referential material, to consolidate our international joint research regime and to announce officially the result of our study. Regarding the referential accumulation, we have achieved the target we fixed three years ago.In the last year(2011), we invited Daniel DELBREIL, professor in University of Paris III(Nouvelle Sorbonne) to Kyoto for the purpose to organize his conferences in University of Doshisha and in Kyoto-Saga University of Arts and to hold more intimate scientific meetings with him. Throughout these precious occasions, we estimate that the amicable cooperation was successfully reinforced between French and Japanese scholars.