Physicality and Visuality of Literature in the Type Printig Culture : Kyojiro Hagiwara and Tatsuo Okada.

在这个项目中，我研究了萩原京二郎和冈田达夫的诗集《死刑》（1925）的起源和技术历史背景。这个系列被他们称为“通过排版结合的艺术运动”，将媒体和流派结合在一起，走向一种新的艺术形式。作为这个项目的一个方面，我举办了一个研讨会，重新审视了20世纪20年代无产阶级艺术的各个方面，重点是视觉艺术，如美术、电影和漫画。通过这个项目，我强调了在不同流派的边界上进行实验活动的方式。

For this project I examined the genesis and techno-historical context of the poetry collection Death sentence (Shikei senkoku 1925) by Kyojiro Hagiwara and Tatsuo Okada. This collection was what they termed a "combined artistic movement through typography" that joined media and genres toward a new kind of art. For one aspect of the project I held a symposium that reexamined diverse aspects of the proletarian arts in the 1920's with a focus on the visual arts such as fine art, film and manga. Through this project I highlighted the ways in which experimental activity was performed in the borders of genres.