Study of Representations of Skyscraper and Automobiles in Crime Films made in the 1940 and 50s in the U.S.

该研究研究了20世纪40年代和50年代在美国制作的低成本犯罪电影《黑色电影》（Film Noir）中，男主角如何面对自己无意识中产生的肥胖，并在对自己充满敌意的城市环境中毁灭自己。在这个电影化的过程中，他的无意识与城市环境直接结合，回避了他的意识，形成了一个可以称之为“无意识的城市”的概念=系统。这个概念=系统的运作是为了迫害男主角，因为他没有意识到这一点，他几乎无法避免自己的毁灭。城市的敌对性质源于这一概念。在黑色电影的城市表现中，可以说，他的无意识被外化了。

This research has studied, in low-budget crime films called Film Noir made in the 1940 and 1950s in the U.S., how male protagonists face obesession that derives from his own unconscious and destroys himself in the urban milieu that is so hostile to him. In this cinematic process, his unconscious joins with the urban milieu directly, avoiding his consciousness, and they form the concept=system that may be called "the Unconscious-City." This concept=system operates to persecute male protagonist and, because he is not aware of this working, he almost cannot avoid his ruination. Hostile natures of cities arise from this concept. In Film Noir's urban representations, as it were, his unconscious is exteriorized.