How can the book as a physical object influence and be part of the process of storytelling through its narrative structure

我研究的中心目标将是深入研究纸质书，并发现设计如何将容器转化为其内容的活跃部分的新方法，从而重新产生对这本书的兴趣，作为一个整体阅读对象，而不仅仅是作为印刷在页面上的文本，来自当今习惯于日益增长的视觉和快节奏技术环境的受众。为了解决这个问题，该项目的一个要点将是分析通过书的叙事结构在作者和读者之间建立的关系，并了解这将以何种方式影响对象的形式和概念。这项研究将基于三个策略，通过历史和理论研究，拆解和深入研究这本书的概念，同时查看参与这些领域的艺术实践、实验作家和设计师，以帮助探索在创作过程中有时被忽视的元素和关系。艺术实践将逐渐并因此在研究中发挥重要作用，作为研究艺术家，特别是当代艺术家，解释艺术家与公众之间联系的一种方式。

The central aim of my study will be to look in profundity at the physical book anduncover new ways in which design can convert that container into an active part of itscontent, and consequently generate a renewed interest in the book, as a whole readingobject and not only as text printed on pages, from an audience nowadays accustomedto a growing visual and fast-paced technological environment.In order to address this matter, an essential point of the project will be to analyze therelationship that establishes between writer and reader through the narrative structureof the book and understand in what ways this can influence the form and concept ofthe object. The research will be based upon three strategies that, through historical andtheoretical studies, will dismantle and delve into the concept of the book, whilst lookingat art practices, experimental writers and designers who have engaged with theseareas, to help explore elements and relationships that are sometimes overlooked in thenarrative process. Art practices will, gradually and consequently, play a major role inthe research, as a means to study the way in which artists, an especially contemporaryartists, have interpreted the connection between artist-public.