Depth and Surface: Women's style as memorial, resistance and reverie in late 1970s and early 1980s Glasgow

本研究将借鉴酷儿女性主义和黑人表演研究中的风格概念，探讨20世纪70年代末和80年代初格拉斯哥工人阶级妇女的服装是否具有颠覆性的历史功能。这种方法将挑战显着缺乏女性的亚文化风格在英国的学术话语，通过扩大这些亚文化的阅读和理解的条款。考虑到一系列的档案来源，个人历史和文化记录在主题的服装将被解释为非官方引用的形式，允许个人在英国官方历史的边缘构建过去和现在的自我。

This research will draw on conceptions of style in queer feminist and Black performance studies to examine whether working-class women's dress in late 1970s and early 1980s Glasgow performed a subversive historical function. This approach will challenge the notable absence of women's subcultural style in British academic discourse by broadening the terms by which such subcultures are read and understood. Considering a range of archival sources, the personal histories and cultures registered on subjects 'dress will be interpreted as forms of unofficial citation, allowing individuals to construct a past and present self at the margins of official British history.