'Gathering the Mess': Repurposed Poetics and the Anthropocene

这个项目将探讨“重新利用”诗学的概念，即写作被回收-无论是文本还是材料-以更动态地思考气候危机。它将确定这种做法如何能够创造出模仿和突出环境变化的文本。我的博士研究会问：更现实的写作形式如何构建自己的思辨思维形式？它将探讨如何非科幻文学（特别是诗歌）可以回收和补救-生产的文本是独特的调谐到我们不断变化的气候。我认为，这种原始风格为气候变化提供了一种更具活力和道德的政治反应。 我的项目将发展其理论框架，调查贝壳，石头，冰和诗歌作为与其环境相对应的活档案。我将主张把诗歌看作是一种有生命的、动态的形式，可以对生态和文化的变化做出反应，并询问循环写作如何模仿或体验类似的生命周期？ 我将主要集中在美国背景下的当代诗歌（Kaia Sands，Brenda Shaughnessy，Juliana Spahr，Ben Lerner，Claudia Rankine，克雷格桑托斯Perez，dg nanouk okpik），通过更广泛的后殖民写作，如Kathy Jetñil-Kijiner和Aka Niviâna。我的研究范围将是通过这种回收写作的伦理思考的组成部分，以及与殖民主义密不可分的气候变化的不平等痛苦。我的研究从凯瑟琳·尤索夫对“档案”一词的重新加工中得到启示（作为环境变化历史的活记录），我将继续问回收写作如何模仿或经历类似的寿命？ 受冰图书馆和人类作为气候档案馆的最新研究的启发，我的项目将把这一良好的理论基础转移到当代文学文体学和环境的原始研究中。它将进一步确定文学如何帮助我们思考-与我们的气候危机，引发其全球不平等，以塑造一个更有效的社会反应

This project will explore the notion of 'repurposed' poetics, whereby writing is recycled - both textually and materially - to think more dynamically about the climate crisis. It will identify how such practices can create texts that mimic and highlight environmental change as it unfolds. My PhD research will ask: how might more realistic forms of writing construct their very own form of speculative thinking? It will explore how non-science fiction literature (specifically, poetry) can be recycled and remediated - producing texts that are uniquely attuned to our ever-changing climate. I will argue that this original stylism affords a political response to climate change that is more dynamic and ethical. My project will develop its theoretical framework, investigating shells, stones, ice and poems as living archives that correspond to their environments. I will argue for viewing poetry as living, dynamic forms that can react to changes of ecology and of culture, and ask how recycled writing might mimic or experience a similar kind of lifespan? I will focus principally on contemporary poetry from US contexts (Kaia Sands, Brenda Shaughnessy, Juliana Spahr, Ben Lerner, Claudia Rankine, Craig Santos Perez, dg nanouk okpik), informed by wider post-colonial writing, such as that by Kathy Jetñil-Kijiner and Aka Niviâna. The scope of my study will be integral in thinking through the ethics of such recycled writing, and the unequal suffering of climate change tied inextricably to colonialism My research takes its cue from Kathryn Yusoff's reworking of the term 'archive' (as living records of the histories of environmental change), and I will go on to ask how recycled writing might mimic or experience a similar kind of lifespan? Inspired by recent studies of ice libraries and humans-as-climate-archives, my project will transpose this sound theoretical basis to an original study of contemporary literary stylistics and the environment. It will further identify how literature might help us think-with our climate crisis, eliciting its global inequalities to shape a more effective social response