Ukrainian Art and Cultural Institutions in Exile

乌克兰的文化场景是由零星的个别项目定义的，这些项目创造了非常规的生存机制和创新的艺术语言，而不考虑基础设施不足、急剧变化的社会经济环境和俄罗斯联邦正在进行的战争。这项研究旨在考察乌克兰艺术和文化项目开发的运作战略和审美-政治词汇如何以及在多大程度上能够具有全球针对性并产生全球洞察力。乌克兰自我组织的流亡文化场景迫切需要研究，这不仅是因为它的临时性和政治和文化压迫的持续威胁，还因为它对方法和理论发展以及全球更知情的文化政策做出了贡献。

The Ukrainian cultural scene is defined by sporadic, individual projects which invent unconventional survival mechanisms and innovative artistic languages regardless of the insufficient infrastructure, dramatically changing socioeconomic circumstances and an ongoing war wedged by the Russian Federation. This study aims to examine how and to what extent the operational strategies and aesthetic-political vocabulary developed by Ukrainian Art and Cultural projects can have global pertinence and produce global insights. Ukrainian self-organised cultural scene in exile is urgent to study, not only because of its temporary nature and the constant threat of political and cultural oppression but also because of its contribution to methodological and theoretical developments and better informed cultural policy globally.