The Architecture of Baroque Ship Sterns and Quarter-Galleries.

巴洛克船尾和四分之一画廊的建筑。

• 批准号: 110652528
• 负责人: Professor Dr.-Ing. Christian Raabe, since 11/2013
• 金额: --
• 依托单位: Lehrstuhl für Architekturgeschichte
• 依托单位国家: 德国
• 项目类别: Research Grants
• 财政年份: 2009
• 资助国家: 德国
• 起止时间: 2008-12-31 至 2015-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/110652528?language=en
• 关键词: Architecture; Baroque; Ship; Sterns; Quarter

The project undertakes to describe and analyse, how the stately architecture representing the power of the absolute monarchy in France was copied and transformed in the design of baroque ship sterns and quarter-galleries. Focussing on the period from 1660 to 1789 it traces the origins of characteristic motifs and design principles of the early Rococo (Style rocaille), such as the irregularly shaped conch shell and the asymmetrically deformed wall panel, back to its first appearance in French shipbuilding during the reign of Louis XIV, more precisely in the late 1680ies and early 1690ies of the 17th century. The research attempts to throw some light on the gradual migration of maritime forms into the private architecture of the Parisian hôtel particulier. Some of these interiors, surviving in their original state, will be surveyed and laserscanned to this end. A large body of documentary material (both ship designs and architectural drawings) will be investigated, to understand the tightly knit network of relations between architects (who often worked in both fields) and building patrons, who all were, in one way or other, linked to the Marine Royale.

该项目承诺要描述和分析，庄严的建筑如何代表法国绝对君主制的力量，并在巴洛克船的船尾和四分之一美食的设计中被复制和转变。重点关注从1660年到1789年的时期，它追溯了早期Rococo（风格的Rocaille）的特征主题和设计原理的起源，例如不规则形状的海螺外壳和不对称变形的墙板，回到路易斯Xiv的首次出现在法国造船中，在1680年以后的1680年代又是1680年。该研究试图阐明海上形式的坡度迁移到巴黎人的私人体系结构中。这些内饰中的一些，以其原始状态生存，并将对此进行调查和激光。将研究大量的纪录片材料（船舶设计和建筑图纸），以了解建筑师（经常在田野上工作的建筑师）与建筑顾客之间紧密编织的关系网络，他们都以一种或其他方式与海洋皇家有关。