Songbook of Clara Hätzlerin ( New Edition)

所谓的《克拉拉歌集》Hätzlerin流传下来的中世纪晚期最重要和最广泛的文本集之一，包含爱情诗歌，在世俗的情歌和爱情演讲中都有发现。除了匿名作者，如康拉德·冯·魏茨堡，奥斯瓦尔德·冯·沃尔肯斯坦和赫尔曼·冯·萨克森海姆也有代表。这个之前的文本集的文学副本是由Clara Hätzlerin在15世纪下半叶为奥格斯堡的一些贵族完成的。这些文本被认为代表了爱情诗歌的接受类型介于12和13世纪的传统明尼苏达和15和16世纪占主导地位的歌本之间；丰富的文学史传统指出，这个文学收藏的巨大重要性远远超出了德国南部地区。第一次编辑克拉拉歌曲集Hätzlerin的尝试是由卡尔·哈尔陶斯在1840年完成的，是不令人信服的因为他把连贯的文本集合分开了忽略了其他与之相关的手稿；这种做法不再符合现代研究的要求。因此，它被强烈要求一个新的版本。这个项目的目的是通过充分利用所有已知的手稿来重新编辑克拉拉歌本Hätzlerin。

The so-called Songbook of Clara Hätzlerin handed down to one of the most important and most extensive collections of texts of the late Middle Ages, containing love-poetry, found in both the secular love songs and love speeches. Besides anonymous authors well-known names such as Konrad von Würzburg, Oswald von Wolkenstein and Hermann von Sachsenheim are also represented. This literary copy of an antecedent text collection was done by Clara Hätzlerin in the second half of the 15th century for some patricians of Augsburg. From this collection of texts is believed to represent the type of reception of love poetry between the traditional Minnesang of the 12th and 13th century and the songbooks which were predominating during the 15th and 16th century; a rich tradition of literary history points out to the enormous importance of this literary collection well beyond the southern region of Germany. The first attempt to edit the songbook of Clara Hätzlerin by Carl Haltaus in 1840 was unconvincing because he split up the coherent text collection and neglected other manuscripts which were linked to it; that kind of practice doesnt fulfill modern-day research any longer. Therefore it is asked emphatically for a new edition. The aim of this project is to reedit the Songbook of Clara Hätzlerin by making full use of all known manuscripts.