Songbook of Clara Hätzlerin ( New Edition)

所谓的《克拉拉·海茨勒林的歌本》是中世纪晚期最重要、最广泛的文本集之一，其中包含爱情诗歌，在世俗的情歌和爱情演讲中都有。除了匿名的作者，著名的名字，如康拉德冯维尔茨堡，奥斯瓦德冯沃尔肯斯坦和赫尔曼冯萨赫森海姆也有代表。这是一部先行文本集的文学副本，由克拉拉·哈茨勒林（Clara Hätzlerin）在世纪下半叶为奥格斯堡的一些贵族完成。从这个文本集合被认为是代表了12和13世纪世纪的传统Minnesang和15和16世纪世纪占主导地位的歌本之间的爱情诗的接收类型;文学史的丰富传统指出了这个文学集合的巨大重要性远远超出了德国南部地区。1840年，卡尔·哈尔陶斯（Carl Haltaus）第一次尝试编辑克拉拉·哈茨勒林（Clara Hätzlerin）的歌集，但这并不令人信服，因为他将连贯的文本集分割开来，忽略了与之相关的其他手稿;这种做法不再满足现代研究的需要。因此，它被强烈要求一个新的版本。这个项目的目的是通过充分利用所有已知的手稿来重新编辑克拉拉·海茨勒林的歌本。

The so-called Songbook of Clara Hätzlerin handed down to one of the most important and most extensive collections of texts of the late Middle Ages, containing love-poetry, found in both the secular love songs and love speeches. Besides anonymous authors well-known names such as Konrad von Würzburg, Oswald von Wolkenstein and Hermann von Sachsenheim are also represented. This literary copy of an antecedent text collection was done by Clara Hätzlerin in the second half of the 15th century for some patricians of Augsburg. From this collection of texts is believed to represent the type of reception of love poetry between the traditional Minnesang of the 12th and 13th century and the songbooks which were predominating during the 15th and 16th century; a rich tradition of literary history points out to the enormous importance of this literary collection well beyond the southern region of Germany. The first attempt to edit the songbook of Clara Hätzlerin by Carl Haltaus in 1840 was unconvincing because he split up the coherent text collection and neglected other manuscripts which were linked to it; that kind of practice doesnt fulfill modern-day research any longer. Therefore it is asked emphatically for a new edition. The aim of this project is to reedit the Songbook of Clara Hätzlerin by making full use of all known manuscripts.