Songbook of Clara Hätzlerin ( New Edition)

克拉拉·海茨莱恩的所谓歌本流传至今，是中世纪晚期最重要、最广泛的文本集合之一，其中包含爱情诗歌，在世俗的情歌和爱情演讲中都能找到。除了匿名作家，康拉德·冯·维尔茨堡、奥斯瓦尔德·冯·沃尔肯斯坦和赫尔曼·冯·萨克森海姆等知名作家也参加了会议。这是克拉拉·赫茨勒林在15世纪下半叶为奥格斯堡的一些贵族制作的先例文本集的文学副本。这本诗集被认为代表了12世纪和13世纪的传统明尼桑和15世纪和16世纪占主导地位的歌本之间对爱情诗的接受类型；丰富的文学史传统指出了这一文学收藏的巨大重要性远远超出了德国南部地区。1840年第一次尝试编辑卡尔·哈尔陶斯的克拉拉·海茨勒林的歌集是不令人信服的，因为他分裂了连贯的文本集合，忽略了与之相关的其他手稿；这种做法不再满足现代研究。因此，它被强调要求一个新的版本。这个项目的目的是通过充分利用所有已知的手稿来重新编辑克拉拉·赫茨勒林的歌集。

The so-called Songbook of Clara Hätzlerin handed down to one of the most important and most extensive collections of texts of the late Middle Ages, containing love-poetry, found in both the secular love songs and love speeches. Besides anonymous authors well-known names such as Konrad von Würzburg, Oswald von Wolkenstein and Hermann von Sachsenheim are also represented. This literary copy of an antecedent text collection was done by Clara Hätzlerin in the second half of the 15th century for some patricians of Augsburg. From this collection of texts is believed to represent the type of reception of love poetry between the traditional Minnesang of the 12th and 13th century and the songbooks which were predominating during the 15th and 16th century; a rich tradition of literary history points out to the enormous importance of this literary collection well beyond the southern region of Germany. The first attempt to edit the songbook of Clara Hätzlerin by Carl Haltaus in 1840 was unconvincing because he split up the coherent text collection and neglected other manuscripts which were linked to it; that kind of practice doesnt fulfill modern-day research any longer. Therefore it is asked emphatically for a new edition. The aim of this project is to reedit the Songbook of Clara Hätzlerin by making full use of all known manuscripts.