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Commentaries and authorship in the philosophical literature of India: a case study based on the collected writings of the Buddhist scholar Sthiramati (6th c. AD)

印度哲学文献的评论和作者身份：基于佛教学者斯提拉玛蒂（公元六世纪）文集的案例研究

基本信息

批准号：
226059547
负责人：
Professorin Dr. Jowita Kramer
金额：
--
依托单位：
Institut für Indologie und Zentralasienwissenschaften
依托单位国家：
德国
项目类别：
Research Grants
财政年份：
2012
资助国家：
德国
起止时间：
2011-12-31 至 2017-12-31
项目状态：
已结题

来源：
https://gepris.dfg.de/gepris/projekt/226059547?language=en
关键词：
Commentaries authorship philosophical literature India

项目摘要

Our present concept of authorship of literary or academic works is inseparable from the author's individuality, his creativity and the uniqueness of his oeuvre. It assumes the possession of the intellectual property rights by the author himself. The proposed study will centre around the question of whether it is possible to apply the modern western understanding of a unique authorship to literary works of various genres and periods from India, which are commonly ascribed to single authors by contemporary scholarship. In my work I am aiming at examining the literary methods of Buddhist text composition in classical India with special reference to the collected writings of the Indian scholar Sthiramati (6th c. AD), thereby critically analysing the role of the author. The majority of works composed in India in Sanskrit are commentaries, and Sthiramati, too, considered his writings as elaborations of earlier Buddhist texts. It will be my main concern to examine the role of Indian authors in their capacity as commentators. In particular, my study will address questions on the role of Buddhist commentaries, such as: For what kind of audiences were they written? Is it possible to single out discernable differences among the different commentarial types? Did the commentators adhere to the principles of exegesis laid down in Buddhist manuals? Since Sthiramati was active during the heyday of the Buddhist Yogacara tradition, the proposed project will also result in publications on philosophical concepts of this school in 6th-century India.

我们现在对文学或学术作品作者身份的概念与作者的个性、创造力和作品的独特性是分不开的。它假定作者本人拥有知识产权。拟议的研究将围绕这样一个问题，即是否有可能将现代西方对独特作者的理解应用于来自印度的各种体裁和时期的文学作品，这些作品通常被当代学者归因于单个作者。在我的工作中，我的目标是研究经典印度佛教文本组成的文学方法，特别参考印度学者Sthiramati（公元6世纪）的文集，从而批判性地分析作者的角色。在印度用梵语写的大部分作品都是注释，斯提拉马蒂也认为他的作品是对早期佛教经典的阐述。考察印度作家作为评论员的角色将是我主要关心的问题。特别是，我的研究将解决佛教注释的作用问题，例如：它们是为什么样的受众写的？有可能在不同的评论类型中挑出明显的差异吗？解说员是否遵守佛教手册中规定的释经原则？由于Sthiramati在佛教瑜伽行传统的鼎盛时期很活跃，因此拟议的项目还将出版有关该学派在6世纪印度的哲学概念的出版物。