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'Stimmung' ('Attunement') between medicine and music aesthetics (ca. 1740-1850)

医学与音乐美学之间的“协调”（约1740-1850）

基本信息

批准号：
389084050
负责人：
Dr. Marie Louise Herzfeld-Schild
金额：
--
依托单位：
Seminar für Kulturwissenschaften und Wissenschaftsforschung
依托单位国家：
德国
项目类别：
Research Fellowships
财政年份：
2017
资助国家：
德国
起止时间：
2016-12-31 至 2020-12-31
项目状态：
已结题

来源：
https://gepris.dfg.de/gepris/projekt/389084050?language=en
关键词：
Stimmung Attunement between medicine music

项目摘要

The project deals with the conceptual history of the German term Stimmung (attunement) within the course of the second half of the 18th century and the first half of the 19th century. During these decades the meaning of Stimmung transformed from the musical practice of tuning musical instruments into the idea of a neurophysiological attunement of the nerves (Nervenstimmung) and eventually into the metaphorical use in the sense of mood (Gemütsstimmung). The project aims to historically consolidate and to conceptually sharpen today’s emotional-atmospheric and metaphorical use of the term Stimmung. In the last decade, Stimmung has been within the research focus of philosophy, literary studies and art history. Within musicology, however, the scholarly examination of concepts of Stimmung has been very sluggish. This is all the more astonishing as today’s Stimmung is semantically and historically so closely linked to the musical phenomenon of instrument tuning. In this sense, the project aims to retrace the conceptual history of Stimmung to ca. 1740 and show the importance of music within this history. Thereby the underlying hypothesis assumes that today’s meaning of Stimmung – that includes mucial practice as well as subjective emotional states, intersubjective, social togetherness and also aesthetical and atmospheric experiences – is fundamentally based on transfer and transformation of knowledge between physiology and music aesthetics within the second half of the 18th century and the concept of a physiological attunement of the nerves (Nervenstimmung) that these interdisciplinary discourses focussed on.Using carefully chosen medical and asthetical sources from the decades between 1740 and 1850 the project aims to trace the different concepts of Stimmung in the progressing 18th century and their transformations in the early 19th century. It aims to show how the two disciplines medicine and aesthetics in a mutual discourse transformed and thereby newly created meanings of Stimmung. German sources will be flanked by English sources to investigate the way these transformations were dependent from a specific language. The project’s aim is (1) to develop a historical founded approach to the concept of emotional-atmospheric Stimmung for musicology and to support methodically and conceptually future studies on the close connection between music and Stimmung as well as related concepts like resonance and atmosphere; and (2) to underline the role of musicology for interdisciplinary research on Stimmung, to increase the mutual capabilities for cooperation and thereby to push forward the discourse.The project is planned to be conducted within the scope of the SNF Research Project Stimmung und Polyphonie: Musikalische Paradigmen in Literatur und Kultur at the Department of Cultural and Science Studies, University of Luzern.

该项目涉及 18 世纪下半叶和 19 世纪上半叶德语术语 Stimmung（调谐）的概念历史。在这几十年里，Stimmung 的含义从调音乐器的音乐实践转变为神经生理学协调的概念 (Nervenstimmung)，并最终转变为情绪意义上的隐喻用途 (Gemütsstimmung)。该项目旨在从历史上巩固并在概念上强化当今对刺激一词的情感氛围和隐喻的使用。在过去的十年里，Stimmung 的研究重点一直是哲学、文学研究和艺术史。然而，在音乐学领域，对激励概念的学术研究一直非常缓慢。更令人惊讶的是，今天的 Stimmung 在语义上和历史上都与乐器调音的音乐现象密切相关。从这个意义上说，该项目旨在追溯 Stimmung 的概念历史。 1740 年并展示了音乐在这段历史中的重要性。因此，潜在的假设假设今天的刺激的含义——包括音乐实践以及主观情绪状态、主体间性、社会团结以及审美和氛围体验——从根本上基于 18 世纪下半叶生理学和音乐美学之间知识的转移和转化，以及这些跨学科的神经生理协调（Nervenstimmung）的概念。该项目旨在利用 1740 年至 1850 年几十年间精心挑选的医学和美学资料，追溯 18 世纪进步中的不同刺激概念及其在 19 世纪初的转变。它旨在展示医学和美学这两个学科如何在相互对话中改变并从而创造新的“Stimmung”含义。德语资料来源旁边将有英语资料来源，以调查这些转换如何依赖于特定语言。该项目的目标是（1）为音乐学中的情感氛围刺激概念开发一种历史依据的方法，并支持系统和概念上未来对音乐与刺激之间的密切联系以及共鸣和氛围等相关概念的研究；（2）强调音乐学在激励跨学科研究中的作用，增强相互合作的能力，从而推动讨论。该项目计划在卢塞恩大学文化与科学研究系的激励与复调音乐研究项目范围内进行。