A Hybrid Edition of Martin Opitz's German Works

马丁·奥皮茨是欧洲文艺复兴后期的核心人物。他的《德国波特利》(Buch von der Deutschen Poeterey，1624)被同时代的人高度评价为德国文学的奠基宣言。尽管有这一立场，但编辑情况仍然不足。由George Schulz-Behrend提供的Opitz白话作品的评论版仍未完成(在第四卷、第二卷之后)。对于奥普茨在1630年后创作的作品--例如朱迪思(1635)、安提戈涅(1636)或弗洛里耶姆变种警句(1639)--到目前为止还没有可靠的版本。继拉丁著作(Opitius Latinus，Marschall/Seidel，2009-2015)和书信(Conermann，2009)的版本之后，该项目自2018年以来建立了奥普茨最新德文文本的第一个批评版和广泛的评论。这样，奥普茨作品的评论版就完成了。该项目是与HierSemann出版社合作开发的；在这样做的过程中，它将继续现有的舒尔茨-贝伦德版，而不忽视最现代的编辑学、计算机文献学和文学标准。印刷版将附带一个数字组件，该组件将与赫尔佐格8月图书馆(HAB)合作开发。混合版本很可能成为数字人文领域的先驱，提供广泛的创新工具来呈现和可视化前现代文本。数字版将以开放获取和完全的文献学可靠性包括奥普茨的文学作品(包括现有卷的复古数字化)。第一卷至第四卷、第二卷已有数字版本。

Martin Opitz is a central figure in the late European Renaissance. His Buch von der Deutschen Poeterey (1624) was highly estimated by his contemporaries as a founding manifesto of German literature. Despite this position the editorial situation is still insufficient. The critical edition of Opitz’s vernacular works provided by George Schulz-Behrend has remained uncompleted (after vol IV, 2). For Opitz’s works written after 1630 – e.g. Judith (1635), Antigone (1636) or the Florilegium variorum epigrammatum (1639) – there have been no reliable editions so far. Following the editions of the Latin works (Opitius latinus, Marschall / Seidel 2009–2015) and the epistolary (Conermann 2009) this project has been establishing since 2018 the first critical edition and extensive commentary of Opitz’s latest German texts. Thus the critical edition of Opitz’s works will be completed. The project is being developed in cooperation with the Hiersemann publishing house; in doing so, it will continue the present volumes of the Schulz-Behrend-edition without neglecting the most modern editorial, computer-philological and literary standards.The project is planned as a hybrid edition (i.e. in print and digital). The printed version will be accompanied by a digital component, which will be developed in cooperation with the Herzog August Bibliothek Wolfenbüttel (HAB). The hybrid edition is likely to become a pioneer initiative in the fields of digital humanities offering a wide range of innovative tools of presentation and visualisation of premodern textuality. The digital edition will comprise Opitz’s literary works (including the retro-digitalisation of the existing volumes) in open access and full philological reliability. Volumes I to IV, 2 are already available digitally.