Analysis of Narratives as Myths and Chronicles of Contemporary Latin America

当代拉丁美洲神话和编年史叙事的分析

• 批准号: 60450060
• 负责人: KIMURA Eiichi
• 金额: $ 1.54万
• 依托单位: Kobe City University of Foreign Studies
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for General Scientific Research (B)
• 财政年份: 1985
• 资助国家: 日本
• 起止时间: 1985 至 1986
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-60450060/
• 关键词: Narrative; Mythological Time Structure; Archetype; Dictator Oligarchy; Disarticulation; Native Culture Restoration; 先住民文化再興; 民族性

Our project aimed to clarify the paradigm of ideologies and culture values in contemporary Latin America,analizing the Latin American narratives,political dramas and folk cultures. We had paid much attention to the problem of dictator or oligarchy in Latin American national formation.Kimura makes clear that Garcia Marques would intend to describe a mythological archetype of dictator in history in a moment rather than in chronological history, and his narratives would have a strong resemblance with oral tradition of Caribbean people. Yoshimori points out that political style and behaviour pattern of Latin American dictators should be analized in historical and social context, and clarifies that the oligarchy of aristocratic republic of Peru,1900-1930, had depended on the disarticulation rather than integration of Peruvian heterogenous societies. Kobayashi approaches to the relation between natio and natives who have been coherently excluded from political systems. And he clarifies the radical transformation of Gueguence,a Nicaraguan popular theatre, after the Sandinista Revolution in 1979,and he deals the Anahuac Culture Restoration Movenent by non-indigenous groups in Mexico and evaluates its significance in Mexican nationalism and indigenism.Our project reveals that there remain many themes to be discussed, such as the relation between oral tradition and narratives,nationalism and historical consciousness.

我们的项目旨在阐明当代拉丁美洲意识形态和文化价值观的范式，分析拉丁美洲的叙事，政治戏剧和民间文化。我们已经非常关注拉丁美洲民族形式的独裁者或寡头问题。Kimura清楚地表明，加西亚·马克斯（Garcia Marques）打算在瞬间而不是年《年代历史》中描述历史上独裁者的神话原型，他的叙述与驯鹿人的口服传统具有很强的相似之处。 Yoshimori指出，拉丁美洲独裁者的政治风格和行为模式应在历史和社会背景下进行分析，并澄清说，秘鲁贵族共和国的寡头，1900 - 1930年，取决于秘鲁异源社会的脱节，而不是整合秘鲁。 Kobayashi处理了纳蒂奥与被排除在政治体系之外的土著人之间的关系。他阐明了1979年桑迪尼斯塔革命之后的尼加拉瓜大众戏剧的格瓜的根本转变，他处理了墨西哥的非土著群体的阿纳瓦克文化恢复，并评估了其在墨西哥民族主义和土著主义中的重要性。

项目成果

KOBAYASHI, Munehiro: Research Institute of Kobe City University. Beyond the Silence;the Reivindication Movements of Central American Natives, 218 (1986)

小林宗弘：神户市立大学研究所。

KOBAYASHI, Munehiro: "The Transformation of a Nicaraguan Popular Theatre, Gueguence" The Kobe City University Journal. 37-1;2;3. 417-438 (1986)

KOBAYASHI, Munehiro：“尼加拉瓜大众剧院的转型，Gueguence”神户市立大学杂志。

小林致広: 南欧文化. 12. 86-100 (1987)

小林道宏：南欧文化。12. 86-100 (1987)

YOSHIMORI, Yoshikazu: "The Oligarchy of the Aristocratic Republic of Peru, 1900-1930" Annals of Kobe City University. 24. 105-167 (1987)

YOSHIMORI, Yoshikazu：《秘鲁贵族共和国的寡头政治，1900-1930》神户市立大学年鉴。

小林致広: 神戸外大論叢. 37-1.2.3. 417-438 (1986)

小林道宏：神户外代朗索 37-1.2.3（1986）。