Heinrich Mann DIGITAL

海因里希·曼数字

• 批准号: 443243934
• 负责人: Werner Heegewaldt, since 9/2020
• 金额: --
• 依托单位: Archiv der Akademie der Künste
• 依托单位国家: 德国
• 项目类别: Cataloguing and Digitisation (Scientific Library Services and Information Systems)
• 财政年份: 2020
• 资助国家: 德国
• 起止时间: 2019-12-31 至 2021-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/443243934?language=en
• 关键词: Heinrich; Mann; DIGITAL

Anyone who wants to study the manuscripts of Heinrich Mann has to travel to Berlin and Frankfurt, Los Angeles and Moscow, Zurich and Marbach, Prague and Munich. This dispersion is no coincidence, but rather a consequence of the fractures and dislocations of the 20th century. For the first time, a shared platform will make the virtual reunification possible: In 2021, Heinrich Mann's oeuvre will be made available to research and the public in digitized form through the databases and digital presentation forms of the participating institutions.Over the next three years, 30,000 scans will be taken at the Akademie der Künste Archives: of manuscripts, pre-press, and notebooks. By revealing the "jigsaw puzzle" of the archive holdings, it will become a digital model far beyond Heinrich Mann. It will demonstrate for the first time how a transnational approach can be used to elevate scattered literary holdings from the 20th century to a new level of visibility, structured according to chronology, provenances, holdings, and locations. This digital cooperation project provides corresponding impetus for edition philology, literary history, and provenance research.Heinrich Mann DIGITAL is a cooperative project by the Literature Archives of the Akademie der Künste, Berlin, with the Heinrich Mann Society, the University of Southern California, Feuchtwanger Memorial Library, the German Literature Archive Marbach, ETH Zurich, the Heinrich-und-Thomas-Mann-Zentrum Lübeck, and the Czech Literary Archive in Prague, among others, in agreement with the current edition projects and the publishers S. Fischer and Aisthesis.

任何想研究海因里希·曼手稿的人都必须前往柏林和法兰克福、洛杉矶和莫斯科、苏黎世和马尔巴赫、布拉格和慕尼黑。这种分散不是巧合，而是世纪断裂和错位的结果。这是第一次，一个共享的平台将使虚拟的统一成为可能：2021年，海因里希·曼的作品将通过参与机构的数据库和数字展示形式以数字化形式提供给研究和公众。在未来三年内，艺术学院档案馆将对手稿、印前和笔记本进行30，000次扫描。通过揭示档案馆馆藏的“拼图”，它将成为一个远远超出海因里希·曼的数字模型。它将首次展示如何使用跨国方法将20世纪世纪分散的文学作品提升到一个新的可见度水平，根据年表，出处，馆藏和地点进行结构化。海因里希·曼数字化是柏林艺术学院文献档案馆与海因里希·曼学会、南加州大学、费尔希特万格纪念图书馆、德国文学档案馆、马尔巴赫、ETH苏黎世、海因里希·曼-吕贝克中心、德国文学研究中心、德国文学研究中心、和位于布拉格的捷克文学档案馆等，与目前的版本项目和出版商S。菲舍尔和艾西斯