A Study on the Relationship between Christopher Dresser and the Arts in the Kansai District during the Meiji era

明治时期克里斯托弗·德莱瑟与关西地区艺术的关系研究

• 批准号: 23820027
• 负责人: TAKEUCHI Yuko
• 金额: $ 0.58万
• 依托单位: Osaka University
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Research Activity Start-up
• 财政年份: 2011
• 资助国家: 日本
• 起止时间: 2011 至 无数据
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-23820027/
• 关键词: 美術史; デザイン史; ジャポニズム; 日英交流; ジャポニスム

This study aims to examine how Christopher Dresser had influenced the arts in the Kansai District during the Meiji era. Several studies have been made about the relationship between Dresser and Japan. However, studies which focus on the arts and crafts of Kansai are very few. Former studies focused on the discourse of art educators and promoters in Tokyo. To make this point clear, I investigated the art theory of Beisen Kubota. Kubota was not only a painter, but also a designer and a theorist. He quoted from Dresser' s book :" Principles of Decorative Design" in his own book," The New Theory of Aesthetics(Bikan shinron)". His ideas concerning" design" were affected by Dresser. However, there are interesting differentiations between them which originated from British and Japanese attitudes towards the arts. Thus, I compared both ideas and point out their similarities and differences

这项研究旨在考察克里斯托弗·德雷瑟在明治时代是如何影响关西地区的艺术的。关于德累塞尔和日本之间的关系，已经进行了几项研究。然而，以关西工艺美术为研究对象的研究却很少。以往的研究主要集中在东京的艺术教育者和推动者的话语上。为了阐明这一点，我研究了北森久保田的艺术理论。久保田不仅是一位画家，还是一位设计师和理论家。他在自己的著作《新美学理论》中引用了德莱塞·S的著作《装饰设计原理》。他关于“设计”的思想受到德雷塞尔的影响。然而，它们之间存在着有趣的差异，这源于英国人和日本人对艺术的态度。因此，我对这两种观点进行了比较，并指出了它们的异同

项目成果

リチャード・レッドグレイヴの絵画とデザイン

理查德·雷德格雷夫绘画和设计

• 发表时间: 2012
• 期刊: フィロカリア
• 作者: ACHARYA Diwakar;Neti neti;Diwakar Acharya;ACHARYA Diwakar;Diwakar Acharya;ACHARYA Diwakar;ACHARYA Diwakar;Diwakar Acharya;Diwakar Acharya;ACHARYA Diwakar;ACHARYA Diwakar;ACHARYA Diwakar;ACHARYA Diwakar;Diwakar Acharya;Diwakar Acharya;Diwakar Acharya;Diwakar Acharya;竹内有子
• 通讯作者: 竹内有子