"Model" of Prayer Portrait in Early Flemish Painting

本研究的目的是通过对勃艮第公爵肖像和祈祷肖像的综合研究，分析佛兰德早期绘画中祈祷肖像的“模式”。它对菲利普的祈祷画像进行了引人注目的观察：他们包括虔诚和自我欣赏的表现，试图保持这些冲突元素的平衡。在得出上述结论的基础上，本研究对早期佛兰芒绘画中腓力的祈祷肖像与“赞助人”的祈祷肖像进行了比较。通过对勃艮第公国总理尼古拉斯·罗林（Nicolas Rolin）的祈祷画像进行特别研究，得出结论：在早期佛兰德绘画中，菲利普和他的画像作为祈祷者的“典范”发挥了重要作用。

The purpose of this research is to analyze the "model" of prayer portrait in early Flemish painting, by making comprehensive study on portraits and prayer portraits of Duke of Burgundy. It has made remarkable observations concerning prayer portraits of Philip the Good: they include both piety and self-admiring representation, trying to keep these conflicting elements in balance. Having reached the above result, this research compares between prayer portraits of Philip the Good and those of "patron" of early Flemish painting. By examining particularly prayer portraits of Nicolas Rolin, chancellor of Duchy of Burgundy, it has reached the conclusion that Philip the Good and his representation took an important role as a "model" for prayers in early Flemish painting.