Environmental Culture in Ryukyu Kingdom

琉球王国的环境文化

基本信息

批准号：
14350334
负责人：
TAKAHASHI Yasuo
金额：
$ 8.26万
依托单位：
KYOTO UNIVERSITY
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (B)
财政年份：
2002
资助国家：
日本
起止时间：
2002 至 2004
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-14350334/
关键词：
Shosho-Hakkei "Ten Special Places and Things"Environmental Culture Ryukyu City Priest Nisshu Naha Naminoue 首里東苑

项目摘要

The concepts of both "hakkei" as derived from Shosho-Hakkei and "jikkyo" ("Ten Special Places and Things") had reached Ryukyu by the mid-fifteenth century. The fact that the work "Hakkei Shijo" had been sent from Korea, and as can be seen in "Chuzan-Hakkei-ki," it is clear that "hakkei" and "jikkyo" were important modes of discourse between the countries in the greater cultural sphere centered on the East China Sea (including China, the Korean peninsula, Ryukyu and Japan). The saint Taichu Ryojo, a monk of the Jodo sect, arrived in Ryukyu in 1603 to compose a collection of Chinese verse based on "hakkei." This was inspired by the Shosho-Hakkei. From textural sources we can ascertain that this was the first "hakkei" which derived from "Shosho-Hakkei" in terms of selection and topic.Hu Ching arrived from China in 1633 and wrote Ryukyu-ki which recorded the impressive scenery of Ryukyu. Hu Ching spoke regarding the various views of Chuzan. He gave each a distinct name such as "The Sound of Waves," "Long Rainbow," or "Stone Bamboo Shoot." With each appellation symbolizing the characteristics of each view of Chuzan, Hu Ching was able to give particular memory to each scene. Hu Ching was able to put words to scenery and was known as a "granter of scenery." In 1683, the envoy Wang Chi did much work, including applying both the "Chuzan Hakkei" and "Shuri Hakkei" to the urban scenery of Ryukyu. Wang Chi constitutes an important personage in terms of Ryukyu's urban cultural history.

从Shosho-Hakkei和“ Jikkyo”（“十个特殊地方与事物”）衍生出的“ Hakkei”的概念已经到达15世纪中叶。 The fact that the work "Hakkei Shijo" had been sent from Korea, and as can be seen in "Chuzan-Hakkei-ki," it is clear that "hakkei" and "jikkyo" were important modes of discourse between the countries in the greater cultural sphere centered on the East China Sea (including China, the Korean peninsula, Ryukyu and Japan).乔多教派的和尚圣太太瑞奥霍（Saint Taichu Ryojo）于1603年到达瑞京（Ryukyu），撰写了基于“ hakkei”的中国诗歌集。这是受Shosho-Hakkei的启发。从纹理来源我们可以确定，这是第一个从“ Shosho-Hakkei”中衍生出的“ Hakkei”。 Hu Ching谈到了Chuzan的各种观点。他给每个名字命名，例如“波浪声”，“长彩虹”或“石竹芽”。每个称呼都象征着Chuzan观点的特征，Hu Ching能够为每个场景提供特殊的记忆。 Hu Ching能够在风景中说单词，并被称为“风景的刻板”。 1683年，特使王（Wang Chi）做了很多工作，包括将“ Chuzan Hakkei”和“ Shuri Hakkei”应用于Ryukyu的城市风景。王奇（Wang Chi）构成了Ryukyu的城市文化历史的重要人物。