Environmental Culture in Ryukyu Kingdom

“学经”的概念来源于“学经”和“学经”（“十处特别的地方和事物”），在十五世纪中期传入琉球。《客经札记》是从韩国寄来的作品，从《chuzang -Hakkei-ki》中可以看出，“客经”和“客经”是以东海为中心（包括中国、朝鲜半岛、琉球和日本）的更大文化圈中国家之间重要的话语模式。圣人太中良条，一个昭道派的和尚，于1603年到达琉球，以“客经”为基础编写了一本中国诗歌集。这是受到shoshoo - hakkei的启发。从史料上可以确定，这是第一部在选材和题材上都衍生自《书经》的《书经》。1633年，胡静从中国来到这里，写下了《琉球记》，记录了琉球令人印象深刻的风景。胡靖谈到楚赞的各种观点。他给每一个都起了一个独特的名字，比如“海浪之声”、“长彩虹”或“石笋”。每一个称谓都象征着楚山每一种景色的特点，使胡静能够对每一种景色都有独特的记忆。胡静善于用文字形容风景，被称为“风景授予者”。1683年，使臣王池做了很多工作，包括将《楚山学经》和《修里学经》应用于琉球的城市景观。王池是琉球城市文化史上的重要人物。

The concepts of both "hakkei" as derived from Shosho-Hakkei and "jikkyo" ("Ten Special Places and Things") had reached Ryukyu by the mid-fifteenth century. The fact that the work "Hakkei Shijo" had been sent from Korea, and as can be seen in "Chuzan-Hakkei-ki," it is clear that "hakkei" and "jikkyo" were important modes of discourse between the countries in the greater cultural sphere centered on the East China Sea (including China, the Korean peninsula, Ryukyu and Japan). The saint Taichu Ryojo, a monk of the Jodo sect, arrived in Ryukyu in 1603 to compose a collection of Chinese verse based on "hakkei." This was inspired by the Shosho-Hakkei. From textural sources we can ascertain that this was the first "hakkei" which derived from "Shosho-Hakkei" in terms of selection and topic.Hu Ching arrived from China in 1633 and wrote Ryukyu-ki which recorded the impressive scenery of Ryukyu. Hu Ching spoke regarding the various views of Chuzan. He gave each a distinct name such as "The Sound of Waves," "Long Rainbow," or "Stone Bamboo Shoot." With each appellation symbolizing the characteristics of each view of Chuzan, Hu Ching was able to give particular memory to each scene. Hu Ching was able to put words to scenery and was known as a "granter of scenery." In 1683, the envoy Wang Chi did much work, including applying both the "Chuzan Hakkei" and "Shuri Hakkei" to the urban scenery of Ryukyu. Wang Chi constitutes an important personage in terms of Ryukyu's urban cultural history.