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Aspects of Singing and Dancing in Japanese Popular Culture

日本流行文化中的歌舞方面

基本信息

批准号：
12410013
负责人：
SATO Yoshiaki
金额：
$ 8.7万
依托单位：
The University of Tokyo
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (B)
财政年份：
2000
资助国家：
日本
起止时间：
2000 至 2002
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-12410013/
关键词：
Japan Popular culture Music Dancing Performance パフォーマース

项目摘要

The results of our research made possible by this grant can be summarized as follows :(1)We retained the stance of looking at singing and dancing in Japan in connection with external cultural influences, and thus analyzed American popular music, film musicals. French music-hall performances as well as various other"ethnic"singings and song styles of the world, to find their analogues in Japanese popular songs (kayokyoku), early opera and early school songs (shoka). We drew upon not only written materials but audio-visual recordings that we collected via different routes. Such songs have organized into"The Digital Song Archive of Japan"comprising some 20,000 entries each with discographical notes. This archive will continue to serve as the base of our future researches and will also be essential in our future teaching.(2)The fruits of each individual studies have been published separately. These include studies on the relationship between popular rhythmic structures and the hypothetical"cultural body,"on medieval performances and their religious topos, on the relationship of contemporary art music and contemporary poetry, on avant-garde and traditional aspects in modern dancing, and on the previously untouched"boys"performances in pre-WWII vaudeville theaters.(3)In the twentieth century those music styles that went counter to those of the dominant European elite culture have been privileged. Originated in African American communities, those styles were gradually absorbed via American record industry by the rest of the world. Our study confirmed the idea that seeing popular music as representing global power shift, apart from ethno-musicological premised, is well applicable to the understanding of various cultural phenomena in the"global"world today.

本研究的成果可以归纳如下：（1）保持了从外部文化的角度来看待日本歌舞的立场，对美国流行音乐、电影音乐剧等进行了分析。法国音乐厅表演以及世界上其他各种“民族“歌唱和歌曲风格，在日本流行歌曲（kayokyoku），早期歌剧和早期学校歌曲（shoka）中找到类似物。我们不仅利用了书面材料，还利用了我们通过不同途径收集的视听记录。这些歌曲被组织成“日本数字歌曲档案”，包括大约20，000个条目，每个条目都有唱片注释。这个档案将继续作为我们未来研究的基础，也将是我们未来教学的基础。（2）每项研究的成果已分别发表。这些研究包括流行的节奏结构和假设的“文化身体”之间的关系，中世纪的表演和他们的宗教主题，当代艺术音乐和当代诗歌的关系，现代舞蹈中的前卫和传统方面，以及二战前杂耍剧院中以前未被触及的“男孩”表演。(3)In在二十世纪，那些与占统治地位的欧洲精英文化背道而驰的音乐风格一直享有特权。这些风格起源于非洲裔美国人社区，通过美国唱片业逐渐被世界其他地区所吸收。我们的研究证实了这样一种观点，即将流行音乐视为代表全球权力转移，除了民族音乐学的解释外，也适用于理解当今“全球“世界中的各种文化现象。