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The Generic Study on Styles of Japanese Songs

日本歌曲风格的综合研究

基本信息

批准号：
15320020
负责人：
SATO Yoshiaki
金额：
$ 8万
依托单位：
The University of Tokyo
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (B)
财政年份：
2003
资助国家：
日本
起止时间：
2003 至 2005
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-15320020/
关键词：
Japan popular culture popular music performance culture contact

项目摘要

By analyzing thousands of collected songs, we have arrived at a clear picture of how Japanese popular songs in the periods 1880s-1960s reflect the reactions of its people under the pressure of modernization cum Westernization. The old premise that there are some unchanging "national" or cultural characteristics that continue to manifest themselves in the songs enjoyed by a populace no longer holds. Rather, the changing styles of popular songs reflect, among others, positive and negative attitudes of people toward the currently respectable music and toward the tradition. The dialectics of aspiration and repulsion, of acclimation and resistance, are clearly observable in Japan's hit songs especially during 1930s-1960s, after which period, the infusion of rock elements--themselves dominantly African-American products earned against the ruling cultural hegemony of the modern elite--into Japanese pop songs complicates the dialectic structure.It is to be emphasized that only through the awareness of such cultural dynamics will it become possible to explain cohesively the processes of evolution in Japanese popular songs in its modern era. A systematic account of the birth and flowering of enka as a music genre embodying the whole span of the nation's musical experiences, is then called for. Also, such an evolutionary study must take into account the "other side of the story": the history or J-Pop. We have reached the point of being able to provide both the theoretical framework and the database of recorded songs for more work to proceed.

通过对收集到的数千首歌曲的分析，我们可以清楚地看到19世纪80 - 60年代日本流行歌曲是如何反映日本人民在现代化和西化的压力下的反应的。老的前提是，有一些不变的“民族”或文化特征，继续表现自己的歌曲欣赏的民众不再持有。相反，流行歌曲风格的变化反映了人们对当前受人尊敬的音乐和传统的积极和消极态度。在日本的流行歌曲中，特别是在20世纪30 - 60年代，可以清晰地看到渴望与排斥、适应与反抗的辩证关系。摇滚元素的注入--这些元素本身主要是非洲裔美国人的产品，是为了对抗现代精英的统治文化霸权--日本流行歌曲中的文化动态使辩证结构复杂化。需要强调的是，只有通过对这种文化动态的认识，才有可能连贯地解释日本流行歌曲中的文化动态过程。现代日本流行歌曲的演变。作为一种体现整个民族音乐经验的音乐流派，对恩卡的诞生和繁荣进行了系统的描述。此外，这种进化研究必须考虑到“故事的另一面”：历史或J-Pop。我们已经达到了能够提供理论框架和录制歌曲数据库的地步，以便进行更多的工作。