Ethnological Studies on Globalization and Localization of Music in Asia and Oceania

YAMADA在音乐工作室采访了音乐家和制作人，并记录了在法属新喀里多尼亚、瓦努阿图和巴布亚新几内亚音乐节上的表演。因此，他调查了当地音乐的制作、销售和发行策略，并阐明了美拉尼西亚国家之间音乐交流的实际情况以及音乐对欧洲和澳大利亚的全球化策略。NAKAGAWA在印度尼西亚日惹对传统音乐舞蹈团的活动、艺术节上音乐文化的呈现以及一种名为“chanpuru sari”的新流派的音乐变化进行了研究。因此，他澄清说，最近的政治和社会变化对那里的各种音乐活动产生了迅速而强烈的影响。TERADA通过采访印度金奈的音乐家和制作人，调查了融合音乐的制作、传播和传播过程，融合音乐是印度古典音乐和西方流行音乐的混合体。他证明了融合音乐的制作和传播是为了将其传播到吉隆坡和新加坡的泰米尔社会。SIMEDA研究了马来西亚沙捞越少数民族的音乐活动。他展示了本地音乐向海外传播和本地对全球化音乐的接受这两种截然不同的趋势并存，也展示了泛马来西亚音乐和海外音乐流入的融合。UEMURA考察了韩国首尔的传统音乐复兴运动，澄清了传统音乐学校与传统音乐竞赛之间的关系，揭示了“techuita”作为一种有意生产的传统的复兴过程。

YAMADA interviewed with musicians and producers at the music studios and documented the performances at the festivals in French New Caledonia, Vanuatu and Papua New Guinea. Consequently he investigated the making, selling and distributing strategies of local music and clarified the actual conditions of musical exchange among the Melanesian countries and the globalizing strategies of music toward Europe and Australia.NAKAGAWA conducted researches on the activities of traditional music-dance troupes, the presentation of music culture at art festivals, and the musical change in a new genre called "chanpuru sari" in Yogyakarta, Indonesia. As a result, he clarified that the recent political and social changes had a rapid and strong influence upon various musical activities there.TERADA investigated the processes of making, distributing and diffusing of fusion music, a hybrid of Indian classical music and Western popular music, through interviews with musicians and producers in Chennai, India. He demonstrated that the fusion music had been made and distributed with the intention of diffusing it to Tamil societies in Kuala Lumpur and Singapore.SIMEDA researched musical activities of minority groups in Sarawak, Malaysia. He showed that the two contrastive trends coexist there such as the distribution of local music to overseas and the acceptance of globalized music at local level and also demonstrated that the pan-Malaysian music and inflowing music from overseas had been integrated.UEMURA examined the revival movement of traditional music in Seoul, South Korea and clarified the relationship between traditional music schools and traditional music competition and revealed the revival process of "techuita" as an intentionally produced tradition.