A study of the dairi (Imperial Palace) reconstruction process in the Kansei Era: an approach from architectural history to issues surrounding the reconstruction process in the traditional style

关西时代皇宫重建过程研究：从建筑史角度探讨传统风格重建过程问题

• 批准号: 17560572
• 负责人: TANI Naoki
• 金额: $ 2.24万
• 依托单位: OSAKA CITY UNIVERSITY
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2005
• 资助国家: 日本
• 起止时间: 2005 至 2006
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-17560572/
• 关键词: Dairi; Kansei Era; traditional style; Zoudairi-onsashizu-goyou-ki; Nakai family; Kigo family; Tosa family; shouheiga

An interdisciplinary approach was used to carry out the study on issues surrounding the process of Dairi reconstruction in the traditional style in the Kansei Era: while the focus of the study was on architectural history, results of art historical study were also incorporated into the main study. Here are results of our interdisciplinary study.1. We deciphered Zoudairi-onsashizu-goyou-ki, which is one of the basic materials for studying the dairi reconstruction in the Kansei Era. We also collected and organized several materials: Nakai-ke monjo which is now in the possession of Masatomo Nakai, materials handed down in Kigo family and in Tosa family.2. On the basis of the analysis of materials, such as Zoudairi-onsashizu-goyou-ki, we examined the process of reconstructing the dairi in the traditional style to understand how the reconstruction plan was implemented. This examination uncovered how Shishinden, Seiryoden, Jomeimon gate and Tsunegosho (the residential building containing the … More emperor's living quarters) had been designed and reconstructed: design process was broadly divided into two categories, kutai (frame) which included making of floor, elevation and cross-section plans, and zousaku (finishing) which included interior finishing and fitting mounting, and kutai construction was implemented simultaneously with zousaku designing, which means that the process control was systematically implemented.3. It was confirmed that Okajima Kouzuke, one of chief carpenters of Nakai-yakusho, and three members of Kigo head family which is a hereditary loyal carpenter clan, Kigo Harima, Kigo Jinzaburo and Kigo Sakudayu had been involved in designing the dairi. In the early stages of reconstruction, Okajima Kouzuke of Nakai-yakusho was sent to design the kutai of the buildings to be reconstructed. Okajima used then-state-of-the-art carpentry technology to complete the kutai designing task while making efforts in complying with court nobles' requirements. Kigo Harima, a member of the loyal carpenter clan, took over the following task of zousaku designing and issued directions for finishing with precedents as a guide4. Under the orders of court nobles, Tosa Mitsusada, a goyou-eshi, took the lead in drawing shouheiga which gave an impressive look to the interior space, and determined specifications of fusuma and the title of the painting which should be drawn on the fusuma for each room as well as designating a painter for each room. From the finishing of those paintings, including presence or absence of coloration and painting style, and ranks of painters in those days, we could conclude grades of individual rooms. We also knew actual designs of paintings: we could find rough drawings of fusuma-e in the Tosa-family materials. Less

本研究以建筑史为研究重点，结合美术史研究成果，对关西时代以传统风格重建大里的过程进行了跨学科的研究。以下是我们跨学科研究的结果。我们破译了作为研究关西时代的日本庭园重建的基本资料之一的“走大入温泉五游记”。我们还收集和整理了几种材料：中井正友现在拥有的中井家的文字，木吾家族和土佐家族流传下来的材料。2.通过对“走大里温泉祭”等资料的分析，考察了以传统风格重建的过程，了解了重建计划的实施情况。这次检查揭示了如何Shishinden，Seiryoden，Jomeimon门和Tsunegosho（住宅楼包含 ...更多信息 3.设计过程大致分为两大类，即包括制作平面图、立面图和横截面图的框架（kutai）和包括室内装修和安装配件的装饰（zousaku），并且在设计和装饰的同时进行框架施工，这意味着系统地实施了过程控制。据证实，中井屋庄的主要木匠之一冈岛康介和三名继承忠诚木匠家族的木吾家族成员，木吾播磨，木吾仁三郎和木吾作田裕参与了设计。在重建初期，中井屋所的冈岛康介被派去设计重建建筑的工房。冈岛利用当时最先进的木工技术完成了库泰的设计任务，同时努力满足宫廷贵族的要求。作为忠诚的木匠家族成员，播磨木吾接手了接下来的制作设计任务，并以先例为指导，发布了完成工作的指示4。在宫廷贵族的命令下，土佐光贞（一位五游绘师）率先绘制了给室内空间以深刻印象的正平画，并确定了每个房间应绘制的fusuma的规格和绘画标题，以及为每个房间指定一名画家。从这些绘画的完成，包括有无着色和绘画风格，以及当时画家的等级，我们可以得出单个房间的等级。我们也知道绘画的实际设计：我们可以在土佐家的材料中找到fusuma-e的草图。少

项目成果

寛政度内裏造営と木子家の大工

关西堂大里建筑和 Kiko 家族木匠

• 发表时间: 2006
• 期刊: 日本建築学会近畿支部研究報告集 計画系 第46号
• 作者: 松栄町子;栗本康代;岩間香;植松清志;谷直樹
• 通讯作者: 谷直樹

On the Reconstruction of the Imperial Palace in the Kansei era and the Contribution to it by the Kigo family

论关西时代皇居的重建及其基后家族的贡献

• 发表时间: 2006
• 期刊: Journal of Architecture, Kinki branch
• 作者: MATSUE Machiko;KURIMOTO Yasuyo;IWAMA Kaori;UEMATSU Kiyoshi;TANI Naoki
• 通讯作者: TANI Naoki

寛政度内裏における常御殿の設計過程について

关于关西堂大里常御殿的设计过程

• 发表时间: 2007
• 期刊: 日本建築学会近畿支部研究報告集 計画系 第47号(未定)
• 作者: 栗本康代;松栄町子;岩間香;植松清志;谷直樹
• 通讯作者: 谷直樹

On the Tsunegoten of the Imperial Palace of Planning Process in the Kansei Era

论关西时代皇宫规划过程的常御殿

• 发表时间: 2007
• 期刊: Journal of Architecture, Kinki branch
• 作者: KURIMOTO Yasuyo;MATSUE Machiko;IWAMA Kaori;UEMATSU Kiyoshi;TANI Naoki
• 通讯作者: TANI Naoki