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A HISTORICAL STUDY ON RESIDENTIAL TENDENCIES OF SCHOLARS, ARTISTS, AND PEOPLE IN SHOW BUSINESS LEADING TO THE DEVELOPMENT OF A SUBURBAN RESIDENTIAL DISTRICT

学者、艺术家和演艺界人士的居住倾向导致郊区住宅区的发展的历史研究

基本信息

批准号：
14550636
负责人：
NAKAGAWA Osamu
金额：
$ 2.3万
依托单位：
KYOTO INSTITUTE OF TECHNOLOGY
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2002
资助国家：
日本
起止时间：
2002 至 2003
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-14550636/
关键词：
suburbs residence residential district painter style of a tea-ceremony house scholar Kyoto

项目摘要

This is a summary of our two year's research :1) Among those who engage in artistic activities, artistic painters were most assiduous in promoting the development of suburban residential districts. However, until the early Meiji period, their residential areas had remained the same as their places in the modern era. In the late Meiji era, as the status of artist painters rose, they began to move to the suburbs looking for an environment suitable for their artistic work.2) Development of suburban residential districts surrounding Kyoto City became popular in the early Show a period. Many of these developments had the bourgeoisie in mind : artistic painters, people in the movie industry, and university faculty members.3) In the environs of Higashiyama, folk familiar with the tea ceremony, known as Sukisha, established their own residential neighborhood.4) In a residential region around Jitoin Temple, there is a place called "Ekaki Mura" where Japanese artistic painters are the main residents. Seigo Motono, an architect in the vanguard of the modernist movement in Kansai, lived in this neighborhood, and there was a salon-like exchange between artistic painters and architects.5) In the Shimogamo region, Western-style artistic painters lived communally from the early Show a period. Later, government officials and salaried persons came to this locality. In Kitashirakawa, a land development company promoted the development of residential districts from the early Showa period. It became a residential district in which Kyoto University faculty members and doctors were the primary residents.6) University faculty members who live in suburban areas, often commissioned architects who were also university faculty members. It is conceivable that they had a salon-like friendship exchange concerning living in suburban areas on campus.

这是我们两年来的研究总结：1）在从事艺术活动的人群中，艺术画家对于推动郊区住宅区的发展最为孜孜不倦。然而，直到明治初期，他们的居住区仍与近代时的居住地保持一致。明治时代末期，随着艺术家画家地位的上升，他们开始向郊区迁移，寻找适合其艺术创作的环境。2）京都市周边郊区住宅区的开发在初期盛行。其中许多发展都考虑到了资产阶级：艺术画家、电影界人士和大学教员。3）在东山郊区，熟悉茶道的民间人士（称为“Sukisha”）建立了自己的住宅区。4）在地头院周围的住宅区，有一个名为“Ekaki Mura”的地方，日本艺术画家是主要居民。关西现代主义运动先锋建筑师元野诚吾就居住在这个街区，艺术画家和建筑师之间进行了沙龙式的交流。 5）在下鸭地区，西洋艺术画家从早期的秀一时期就开始共同生活。后来，政府官员和工薪阶层来到了这里。在北白川，从昭和初期开始，就有土地开发公司推动住宅区的开发。它成为一个住宅区，京都大学教职人员和医生是主要居民。6）居住在郊区的大学教职人员经常委托同时也是大学教职人员的建筑师。可以想象，他们在校园里就郊区生活进行了一场沙龙式的友谊交流。