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Study of Zola's novels, art criticism and French paintings from the 1860s-1880s : Modern Paris and the artistic modernism

Study of Zola's novels, art criticism and French paintings from the 1860s-1880s : Modern Paris and the artistic modernism
左拉小说、艺术评论和1860-1880年代法国绘画研究:现代巴黎和艺术现代主义
批准号:
16520152
负责人:
YOSHIDA Noriko
金额:
$2.21万
依托单位:
依托单位国家:
日本
项目类别:
Grant-in-Aid for Scientific Research (C)
财政年份:
2004
资助国家:
日本
项目状态:
已结题
起止时间:
2004 至 2007

项目摘要

项目成果

YOSHIDA Noriko的其他基金

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中文摘要
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英文摘要
The purpose of this study is to analyze the common concerns of Zola and painters from a historical, social and cultural perspective, by referring to the researches and analysis about the relationship of Zola's novels, artistic criticism and the paintings in that time.Below are the 3 main achievements of this study :1. By referring to the relationship between the Paris mode in the 2^nd imperial period and the problem of female bodies mentioned in La Curee, it has been understood that this novel in which the ostentatious 2^nd imperial period is criticized includes a criticism about the academic paintings which pursue the narrative themes and the smooth and polished surface.2. Relating to the relationship of Paris in French Third Republic and the new paintings, this study also conducted an analysis of Le Ventre de Paris and the city landscape paintings from 2 perspectives. The first one is about the problem of the reconstruction and industrialization of Paris, since the time in which a large number of buildings were destroyed by Paris Commune. Zola's appreciation towards contemporary architecture and city decorations have influenced the paintings of Impressionism such as Monet's works. The second one is related to the relationship of republican ideology and landscape paintings by Monet and Manet.3. The analysis about the commodity economy and its relationship with paintings is also based on 2 perspectives. One is the description of food in Le Ventre de Paris and still-life paintings of Manet. It is obvious to see not only the strong concept of materialism, but also the suggestion that food and flowers painted are for sale. Another one is related to the show windows, which is the symbol of modern commerce. The fragmentation and commercialization of female bodies are frequently used there. It can be pointed out that Zola and painters became aware that their artistic works were also a type of merchandise in modern commercial society.
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ゾラ『パリの胃袋』と1870年代の都市風景画
左拉的《巴黎美食》和1870年代的城市风景画
DOI: --
发表时间: 2007
期刊: 近代 98号(未定)
影响因子: --
作者: [Noriko, YOSHIDA, 中務哲郎, 吉田典子]
通讯作者: 吉田典子
ゾラ『パリの胃袋』とマネの静物画-近代芸術における物質主義と商品性
左拉的《巴黎人的胃》与马奈的静物——现代艺术中的唯物主义与商品
DOI: --
发表时间: 2005
期刊: 日仏美術学会会報 24号(未定)
影响因子: --
作者: [Noriko, YOSHIDA, 高橋宏幸, 吉田 典子]
通讯作者: 吉田 典子
ショーウインドーの中の女たち-ゾラとマネ、ティソ、ドガにおける近代商業の表象
商店橱窗里的妇女——左拉、马奈、蒂索和德加现代商业的代表
DOI: --
发表时间: 2005
期刊: 美術史論壇 20号(未定)
影响因子: --
作者: [Noriko, YOSHIDA, 高橋宏幸, 吉田 典子, 吉田 典子]
通讯作者: 吉田 典子
空虚と襞-ゾラ『獲物の分け前』におけるモードとテクスト
空虚与褶皱——左拉《猎物的份额》中的模式和文本
DOI: --
发表时间: 2005
期刊: テクストの地平-森晴秀教授古稀記念論文集(英宝社) (未定)
影响因子: --
作者: [Noriko, YOSHIDA, 高橋宏幸, 吉田 典子, 吉田 典子, 高橋 宏幸, 吉田 典子]
通讯作者: 吉田 典子
18
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