Representation of charivari in early modern English theatre and its creation of a public sphere

该项目着重于早期现代戏剧创造公共领域的功能及其对早期现代英格兰人和社会现代化的影响。该项目通过对戏剧和史料的文学分析，探索了早期现代个体的正义意识和权利意识，即人们心灵的现代性的独特指标，分析了查尔瓦里等示范行为和血腥复仇等其他报复行为。在六篇论文中，这项研究解释了戏剧的社会媒介如何在早期现代人的头脑中促进自主性、自我意识和个人主义。通过对公共领域和公共领域的考察，本项目得出结论，早期现代观众参与了传播网络，通过传播网络，他们经历了对表演和戏剧的集体接受。该项目发现，这一现象是揭示早期现代文化本质的重要关键。

This project focused on early modern theatre's functions of creating a public sphere and its influence on the modernization of the people and society of early modern England. Through literary analysis of plays and historical materials, this project explored the early modern individual's consciousness of justice and rights, in other words, distinctive indices of modernity of people's mind, analyzing demonstrative behaviors such as charivari and other kinds of retaliatory actions such as blood revenge. In six papers, this research explained how the social medium of theatre promoted autonomy, self-awareness, and individualism in the minds of early-modern people. By examining the public and public spheres, this project concluded that early modern audiences participated in communication networks, through which they experienced a collective reception of performance and drama. This project found this phenomenon an important key to the nature of early modern culture.