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In-Visible Difference: Dance, Disability and Law

看不见的差异：舞蹈、残疾和法律

基本信息

批准号：
AH/J006491/1
负责人：
Sarah Whatley
金额：
$ 60.18万
依托单位：
Coventry University
依托单位国家：
英国
项目类别：
Research Grant
财政年份：
2013
资助国家：
英国
起止时间：
2013 至无数据
项目状态：
已结题

来源：
https://gtr.ukri.org/projects?ref=AH%2FJ006491%2F1
关键词：
Visible Difference Dance Disability Law

项目摘要

This Project sets out to extend current thinking about the making, status, ownership and value of work by performance artists in the 21st century. It will do so by focusing on one art form; dance, and specifically dance made and performed by disabled dance artists. By considering different theoretical and practical perceptions of creation, interpretation and authorship, and different perspectives on the role of law in relation to creative practice, the Project will investigate how existing theoretical and legal frameworks might help or hinder the participation of disabled dance artists in mainstream performance. We will align that enquiry within models of disability articulated by disabled people and by the law; and we will draw on empirical observation of the construction of dance as developed by choreographers and dancers and map that on to the legal framework. In so doing, the Project will both uncover and discover new ways of thinking about how dance made and performed by disabled dance artists contributes to our cultural life, and it will seek to lay the foundations for a new theoretical framework for transforming the legal landscape. The Project will thus have much wider application and impact, by identifying new models for recognising intellectual property and what the implications might be for those working within the cultural and legal communities, within and beyond the Academy.Disabled dance has been chosen as a case study because dancers with disabilities confront particular challenges. Despite many within the professional dance community supporting the removal of labels such as 'inclusive', which categorise disabled performers as 'other', there is still a long way to go before disabled artists are fully integrated within mainstream performance. Adding to their relative invisibility is a dearth of robust models for identifying authorship and ownership of dance's intellectual property. The Project will critically evaluate relevant regulatory frameworks, including copyright, the legal/medical framework for disability and human rights within the UK, the European Union, and internationally. It will assess the extent to which these frameworks are complementary and/or conflictory, rhetorical or practical, and the degree to which they encourage creativity and its dissemination. The Project will bring together researchers from two different disciplines - dance and law - and draws on concepts and methods from the arts and social sciences. We will conduct our research in collaboration with dance artists, both disabled and non-disabled, and with arts professionals and policymakers, to discover how artists view their role in the creative process in relation to others, and their experience of embodiment and bodily habitus. We will then disseminate the research via scholarly publications, policy papers and via a series of public events, some in conjunction with performances, to establish positive dialogues with and between stakeholders, including dance artists, educators and policymakers. A core component in the Project is therefore the knowledge exchange between researchers and practitioners and the distribution of knowledge across different discipline areas. This will raise awareness of the particular challenges and opportunities faced by disabled people and strengthen the case for change (where necessary) in working practices and the legal frameworks that underpin the artists' work. Above all the Project will seek to empower disabled dance artists and strengthen their place in our cultural milieu.

该项目旨在扩展当前对 21 世纪行为艺术家作品的制作、地位、所有权和价值的思考。它将通过专注于一种艺术形式来做到这一点；舞蹈，特别是由残疾舞蹈艺术家制作和表演的舞蹈。通过考虑对创作、解释和作者身份的不同理论和实践看法，以及对法律在创作实践中的作用的不同观点，该项目将研究现有的理论和法律框架如何帮助或阻碍残疾舞蹈艺术家参与主流表演。我们将根据残疾人和法律阐明的残疾模型来调整这一调查；我们将借鉴编舞家和舞者对舞蹈结构的实证观察，并将其映射到法律框架中。通过这样做，该项目将揭示和发现关于残疾舞蹈艺术家创作和表演的舞蹈如何为我们的文化生活做出贡献的新思维方式，并将寻求为转变法律景观的新理论框架奠定基础。因此，该项目将通过确定承认知识产权的新模式以及对学院内外的文化和法律界工作人员可能产生的影响，产生更广泛的应用和影响。残疾舞蹈被选为案例研究，因为残疾舞者面临着特殊的挑战。尽管专业舞蹈界的许多人支持取消“包容性”等标签，将残疾表演者归类为“其他”，但残疾艺术家要完全融入主流表演还有很长的路要走。缺乏可靠的模型来识别舞蹈知识产权的作者身份和所有权，这使得它们相对不可见。该项目将严格评估相关监管框架，包括英国、欧盟和国际范围内的版权、残疾和人权法律/医疗框架。它将评估这些框架的互补和/或冲突、修辞或实践的程度，以及它们鼓励创造力及其传播的程度。该项目将汇集来自舞蹈和法律两个不同学科的研究人员，并借鉴艺术和社会科学的概念和方法。我们将与残疾人和非残疾人舞蹈艺术家以及艺术专业人士和政策制定者合作进行研究，以发现艺术家如何看待他们在与他人相关的创作过程中的角色，以及他们的体现和身体习惯的经验。然后，我们将通过学术出版物、政策文件和一系列公共活动（其中一些活动与表演结合）传播研究成果，以便与利益相关者（包括舞蹈艺术家、教育工作者和政策制定者）建立积极的对话。因此，该项目的核心组成部分是研究人员和从业者之间的知识交流以及不同学科领域的知识分配。这将提高人们对残疾人所面临的特殊挑战和机遇的认识，并加强工作实践和支持艺术家工作的法律框架的变革（如有必要）。最重要的是，该项目将寻求赋予残疾舞蹈艺术家权力，并加强他们在我们文化环境中的地位。