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Doctrine, devotion, and cultural expression in the cults of medieval Iberian saints

中世纪伊比利亚圣人崇拜中的教义、奉献和文化表达

基本信息

批准号：
AH/S006060/1
负责人：
Emma Hornby
金额：
$ 102.5万
依托单位：
University of Bristol
依托单位国家：
英国
项目类别：
Research Grant
财政年份：
2019
资助国家：
英国
起止时间：
2019 至无数据
项目状态：
未结题

来源：
https://gtr.ukri.org/projects?ref=AH%2FS006060%2F1
关键词：
Doctrine devotion cultural expression cults

项目摘要

Saints were the heroes of medieval culture, the centre of lively cults which presented them as active intercessors and examples for their fellow Christians. We will explore how devotion to medieval saints was constructed through the combination of liturgical, musical and material elements, in an area that has received little scholarly attention despite its rich culture: early medieval Iberia. Our study of the development and transmission of Iberian saints' cults from the Visigothic period to the 14th century will integrate hagiography, liturgical texts, chant, and material culture for the first time. This will offer a new perspective on how saints were constructed by and experienced by the communities that venerated them. We will publish a series of peer-reviewed journal articles and a team-authored monograph, as well as inviting an international general public to gain a new appreciation of this unique heritage via an interactive, multilingual and multimedia exhibition. We know that saints were proudly defended elsewhere in Western Europe as local patrons and community figureheads, and that veneration of saints was gendered: women were commemorated for virginity; and men were celebrated for leadership. Iberian saints, however, have not been analysed for their socio-cultural significance and integrated into wider European paradigms. This is the result of inaccessible manuscript sources, and lack of scholarly familiarity with the distinctive Old Hispanic rite. 'Iberian saints' brings together an interdisciplinary team to address these gaps in the research agenda, and to produce the first holistic study of saints' cults in early medieval Iberia, straddling multiple disciplinary specialisms, and engaging with how the veneration of Iberian saints shifted over the centuries, in particular during and after the 11th-century imposition of the Roman liturgy across much of Iberia.Our work will open up new research avenues for scholars in multiple disciplines, modelling an interdisciplinary approach that can shed new light on historical moments about which only fragmentary evidence survives. By adding a significant body of Old Hispanic material to www.musicahispanica.eu and www.cantusindex.org, we will facilitate integration of Old Hispanic liturgical evidence into the wider European context. Further, this data sharing will make the Old Hispanic materials widely accessible, with the (intricate and unfamiliar) liturgical structure ready parsed. We will undertake innovative transcription work in our web-based Chant Editing and Analysis Program (neumes.org.uk). Old Hispanic notation is unpitched, which poses significant challenges to scholars engaging with the melodies. In Iberian Saints, we will continue to develop analytical tools and methods that break new ground in our understanding of medieval monophonic melodic languages, available to all through our software and exemplified in our publications.Beyond academic discourse, our interactive digital exhibition will significantly increase the cultural value of our research findings. The exhibition will reconnect locals who visit archives and museums in Lamego, Coimbra, Salamanca and Toledo with this almost-forgotten aspect of their cultural heritage, as well as reaching out to tourists, and being available online. It will raise consciousness of Old Hispanic liturgy and its manuscripts, while communicating our new findings to the general public. The exhibition will engage audiences in ways that go far beyond superficial appreciation of the beauty and antiquity of the materials: they will be taught to navigate the texts, melodies and liturgical context, performing basic forms of analysis through interactive games, and navigating the GIS maps of each saint's cult. For some, there will be devotional and spiritual benefits as well; they will re-examine their own religious practices in the light of the thousand-year old culture to which we are drawing their attention.

圣徒是中世纪文化的英雄，是活跃的邪教的中心，这些邪教将他们作为积极的代祷者和基督徒同胞的榜样。我们将探讨如何奉献给中世纪的圣徒是通过礼仪，音乐和物质元素的结合，在一个地区，很少得到学术界的关注，尽管其丰富的文化：中世纪早期的伊比利亚。我们的发展和伊比利亚圣徒的邪教从西哥特时期到第14世纪的传播研究将整合圣徒传，礼仪文本，圣歌，和物质文化的第一次。这将提供一个新的视角来了解圣徒是如何被崇拜他们的社区所塑造和经历的。我们将出版一系列同行评议的期刊文章和团队撰写的专著，并邀请国际公众通过互动，多语言和多媒体展览对这一独特的遗产进行新的欣赏。我们知道，在西欧的其他地方，圣徒作为当地的保护人和社区的傀儡而受到自豪的保护，对圣徒的崇拜是性别化的：女性因童贞而受到纪念，男性因领导而受到赞扬。然而，伊比利亚圣徒并没有被分析其社会文化意义，也没有被纳入更广泛的欧洲范式。这是由于无法访问的手稿来源，并缺乏学术熟悉独特的老西班牙仪式。“伊比利亚圣徒”汇集了一个跨学科的团队，以解决研究议程中的这些差距，并产生了第一个全面的研究圣徒邪教在中世纪早期伊比利亚，跨越多个学科的专业，并从事如何伊比利亚圣徒崇拜转移了几个世纪，特别是在11世纪期间和之后，罗马礼仪在伊比利亚的大部分地区被强加。我们的工作将为多学科的学者开辟新的研究途径，建立一个跨学科的方法模型，可以为只有零星证据存在的历史时刻提供新的线索。通过在www.musicahispanica.eu和www.cantusindex.org上添加大量的旧西班牙裔材料，我们将促进旧西班牙裔礼仪证据融入更广泛的欧洲背景。此外，这种数据共享将使旧西班牙材料广泛访问，与（复杂和陌生的）礼仪结构准备解析。我们将在我们基于网络的圣歌编辑和分析程序（neumes.org.uk）中进行创新的转录工作。旧的西班牙记谱法是没有音高的，这对研究旋律的学者构成了重大挑战。在伊比利亚圣徒，我们将继续开发分析工具和方法，在我们对中世纪单声道旋律语言的理解中开辟新的天地，通过我们的软件提供给所有人，并在我们的出版物中举例说明。除了学术话语，我们的互动数字展览将显著增加我们研究成果的文化价值。该展览将重新连接当地人谁参观档案馆和博物馆在拉梅戈，科英布拉，萨拉曼卡和托莱多与这个几乎被遗忘的方面，他们的文化遗产，以及接触到游客，并在网上提供。它将提高人们对旧西班牙礼仪及其手稿的认识，同时将我们的新发现传达给公众。该展览将以远远超出对材料的美丽和古老的肤浅欣赏的方式吸引观众：他们将被教导浏览文本，旋律和礼仪背景，通过互动游戏进行基本形式的分析，并浏览每个圣人的邪教的GIS地图。对一些人来说，也会有奉献和灵性的益处;他们将根据我们正在吸引他们注意力的千年文化重新审视自己的宗教实践。