(SCIN) Screen Internationalism: Audiovisual Pedagogies of Modernisation between Postwar Europe and Latin America

视听技术是全球传播现代化和发展的意识形态和实践的核心，因为二战后出现了新的世界秩序。联合国、教科文组织和其他机构在努力建立一个和平、安全和团结的国际体系时，推动了旨在塑造周边地区未来的发展和公民项目，并制定了促进这些目标的全球媒体战略。该项目在欧洲-拉丁美洲关系的背景下探索由此产生的视听项目的档案和历史，重点是非规范的视听材料，包括纪录片，教育电影，新闻片和电视。它询问他们的目标是什么;他们是如何在实地接受和重新编码的;以及他们如何在两个地区之间建立国际电影制作人网络和电影制作实践。主要研究将是国际范围的。作为国际主义机构纪录片的全球历史，它将涉及咨询英国，法国，丹麦，西班牙，墨西哥，秘鲁和玻利维亚的电影和纪录片档案，其中一些人很少在这种性质的工作中咨询，并建立在我以前在墨西哥教科文组织档案馆的研究基础上。使用一组地理和主题集群，我将通过一个跨学科的透镜，结合电影史，文化史，密切的视听分析，和文化研究接近我的研究对象。我是一个英国国民提议UKRI博士后奖学金在伦敦后十六年生活在墨西哥城，自2010年以来在墨西哥国立自治大学担任全职研究员。该项目将建立在我与英国和墨西哥机构之间现有的强大学术联系的基础上，将我的网络扩展到欧洲大陆的国家。它将涉及与视听档案的广泛国际合作，并获得新技能，通过在线和其他媒体吸引学术界以外的受众。

Audiovisual technologies were central to the global dissemination of ideologies and practices of modernisation and development as a new world order emerged after World War Two. In their efforts to forge an international system of peace, security and solidarity, the United Nations, UNESCO and other bodies stimulated development and citizenship projects that aimed to shape the future of peripheral regions, and devised global media strategies to further these aims. This project explores the archives and histories of the resulting audiovisual projects in the context of European-Latin American relations, focusing on non-canonical audiovisual materials including documentaries, educational films, newsreel, and television. It asks what their goals were; how they were taken up and reencoded on the ground; and how they enabled the creation of international networks of filmmakers and filmmaking practices between both regions. The primary research will be international in scope. As a global history of internationalist institutional documentary, it will involve consulting film and documentary archives in the UK, France, Denmark, Spain, Mexico, Peru and Bolivia, some of them rarely consulted in work of this nature, and builds on my previous research at a UNESCO archive in Mexico. Using a set of geographic and thematic clusters, I will approach my object of study through an interdisciplinary lens that combines film history, cultural history, close audiovisual analysis, and cultural studies. I am a UK national proposing UKRI Postdoctoral Fellowship in London after sixteen years living in Mexico City, working as a full-time researcher at UNAM since 2010. The project will build on my strong existing academic links between UK and Mexican institutions, expanding my network towards countries in continental Europe. It will involve extensive international collaboration with audiovisual archives, and the acquisition of new skills to engage audiences beyond academia via online and other media.