Harmonic language and triadic magic in the last 'fantastic' operas by Nikolay Rimsky-Korsakov

尼古拉·里姆斯基-科萨科夫最后一部“奇幻”歌剧中的和声语言和三元魔法

• 批准号: 2266069
• 金额: --
• 依托单位: University of Liverpool
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2019
• 资助国家: 英国
• 起止时间: 2019 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2266069
• 关键词: Harmonic; language; triadic; magic; last

My PhD project seeks to conduct an in-depth analysis of the harmonic language in the last 'fantastic' operas by Nikolay Rimsky-Korsakov (The Tale of Tsar Saltan, Kashchey the Immortal, The Legend of the Invisible City of Kitezh and The Golden Cockerel). As demonstrated in a pioneering study by Richard Taruskin three decades ago (1985), Rimsky made significant use in his music of unconventional harmonic techniques such as octatonicism, more often associated with his pupil Stravinsky and later twentieth-century practice, most notably when depicting the supernatural or the fantastic. Yet such explorations have barely been taken further since then, a lacuna all the more notable given the remarkable developments in harmonic theory in the last two decades. This research will offer an innovative perspective on this historically crucial but neglected repertoire by drawing on and developing some of the major trends in contemporary music theory.

我的博士项目旨在对尼古拉·里姆斯基-科萨科夫（沙皇萨尔坦的故事，不朽的Kashchey，Kitezh和金色公鸡的隐形城市的传说）的最后一部“奇妙”歌剧中的和声语言进行深入分析。正如理查德·塔鲁斯金（Richard Taruskin）在30年前（1985年）的一项开创性研究中所展示的那样，里姆斯基在他的音乐中大量使用了非传统的和声技巧，如八声性，更经常与他的学生斯特拉文斯基和后来的20世纪实践联系在一起，特别是在描绘超自然或幻想时。然而，从那时起，这种探索几乎没有进一步进行，考虑到过去20年谐波理论的显著发展，这一空白就更加值得注意了。这项研究将通过借鉴和发展当代音乐理论的一些主要趋势，为这一历史上至关重要但被忽视的曲目提供一个创新的视角。