Invisible Labour: Women's Experimental Art in East-Central Europe, 1970-1989

无形的劳动:中东欧女性的实验艺术,1970-1989

基本信息

  • 批准号:
    2882025
  • 负责人:
  • 金额:
    --
  • 依托单位:
  • 依托单位国家:
    英国
  • 项目类别:
    Studentship
  • 财政年份:
    2023
  • 资助国家:
    英国
  • 起止时间:
    2023 至 无数据
  • 项目状态:
    未结题

项目摘要

'Can there be contemporary art in North Korea?' asks Octavian Esanu (Esanu 2021), contesting the market-oriented logic of 'the contemporary' and the implicit portrayal of non-Western societies with no or limited market economies as 'backward' and in need of modernisation. Attending to East-Central European women artists' experimental work (including performance, participatory practices and visual media) in the late Soviet-influenced context, my project challenges the 'backwardness' thesis that reproduces the centre/periphery paradigm, not least for historically marginalised subjects such as women artists. The histories of women's experimental art in the former East can expand contemporary feminist thinking precisely because they do not anchor the critique of gender inequality to relations dictated by the market.My thesis responds to Polish art historian Piotr Piotrowski's nuanced approach towards the experimental art of East-Central Europe under state socialism (Piotrowski 2009 and 2012). This reassessment of overlooked art scenes is essential to a decolonial modern and contemporary art history, rendering visible more artists from the region and explicating their historical and socio-economic values (Piotrowski 2009 & 2012; Bryzgel 2013 & 2017; Kemp-Welch 2014 & 2018; Esanu 2021). Yet a major weakness in this horizontal art history is its marginalisation of women artists (Jakubowska and Radomska 2022), replicating women's invisibility in western culture. My project addresses this limitation by closely examining the gender divide in artistic labour in East-Central Europe in the period (1970s and 1980s) when the main parameters of 'contemporary art' were established globally.Crucial to my research is the idea that the term 'contemporary art' has not been neutral but has been overtly or covertly defined through a market hegemony - especially so in the 1970s and 1980s when postmodernism became a 'cultural dominant' despite being specific to western 'consumer society' (Jameson 1984 & 1991). This was the period when second-wave feminism in the market-dominated West claimed visibility for women as makers of culture, but it is far less known what strategies women artists deployed in contexts of different priorities and determinants, such as those of East-Central Europe. I will approach women artists' visible and invisible labour as an indicator of the work that matters to the market as well as to state power. 'Visible labour' refers to how women artists needed to 'work harder' to be viewed as producers of culture - e.g. in Polish artistic duo Kwiekulik's performances, Zofia Kulik allowed herself to be physically restricted and mentally humiliated (Jakubowska 2020). 'Invisible labour' refers to a particular form of maintenance work, not connected with domestic labour - planning, producing, documenting, archiving, and promoting art. Unlike the marketing apparatus developed in the West, designed to appeal to curators and buyers, this gendered maintenance work as part of artistic production was essential to women artists' struggle against their marginalisation both by the state (locally) and the market (as an imagined 'international' destination). This generates a different understanding of what women artists' work consisted of, given that so far international art historical scholarship has highlighted western examples of social reproduction activities (e.g. Mierle Laderman Ukeles, Maintenance Manifesto, 1968).Interviews with artists, testimonies, catalogues, and archival material are my primary sources. Besides archives such as the Richard Demarco Archive (Scotland), the Piotr Piotrowski Archive (Poland), the Artpool Archive (Hungary), etc., I will consult online databases run by independent researchers and institutions from East-Central Europe, including Forgotten Heritage, Secondary Archive, ARTLIST, Web umenia etc.
朝鲜有当代艺术吗?”Octavian Esanu(Esanu 2021)问道,他质疑“当代”的市场导向逻辑,以及对没有或有限市场经济的非西方社会的隐含描述,即“落后”和需要现代化。参加东中欧女艺术家的实验工作(包括性能,参与性的做法和视觉媒体)在苏联后期影响的背景下,我的项目挑战“落后”的论文,再现中心/外围范式,尤其是对历史上边缘化的科目,如女艺术家。前东欧女性实验艺术的历史可以扩展当代女性主义思想,正是因为它们没有将性别不平等的批判锚在市场支配的关系上。我的论文回应了波兰艺术史学家Piotr Piotrowski对国家社会主义下的东中欧实验艺术的细致入微的研究方法(Piotrowski 2009和2012)。这种对被忽视的艺术场景的重新评估对于非殖民地的现代和当代艺术史至关重要,使更多来自该地区的艺术家变得可见,并阐明他们的历史和社会经济价值(Piotrowski 2009 & 2012; Bryzgel 2013 & 2017; Kemp-Welch 2014 & 2018; Esanu 2021)。然而,这种横向艺术史的一个主要弱点是女性艺术家的边缘化(Jakubowska和Radomska 2022),复制了女性在西方文化中的不可见性。我的项目通过仔细研究这一时期中东欧艺术劳动中的性别差异来解决这一限制(20世纪70年代和80年代),当时“当代艺术”的主要参数在全球范围内确立。对我的研究至关重要的是,“当代艺术”一词并不是中性的,而是通过市场霸权或明或暗地定义的,尤其是在20世纪70年代和80年代,尽管后现代主义是西方“消费社会”特有的,但它却成为一种“文化主导”(詹姆森,1984 & 1991)。这是第二波女权主义在市场主导的西方声称女性作为文化创造者的可见性的时期,但很少有人知道女艺术家在不同的优先事项和决定因素的背景下部署了什么策略,例如东欧和中欧。我将把女艺术家的有形和无形劳动作为对市场和国家权力都重要的工作的指标。“看得见的劳动”指的是女性艺术家需要如何“更加努力地工作”才能被视为文化的生产者-例如,在波兰艺术二人组Kwiekulik的表演中,Zofia Kulik允许自己受到身体限制和精神羞辱(Jakubowska 2020)。“无形劳动”指的是一种与家务劳动无关的特殊形式的维护工作--规划、制作、记录、存档和推广艺术。与西方发展起来的旨在吸引策展人和买家的营销手段不同,作为艺术创作的一部分,这种性别维护工作对于女艺术家反对国家(地方)和市场边缘化的斗争至关重要。(作为一个想象中的“国际”目的地)。这就产生了对女性艺术家作品的不同理解,因为迄今为止国际艺术史学术界一直强调西方社会再生产活动的例子(例如Mierle Laderman Ukeles,Maintenance Manifesto,1968)。对艺术家的采访、证词、目录和档案材料是我的主要来源。除了Richard Demarco档案馆(苏格兰)、Piotr Piotrowski档案馆(波兰)、Artpool档案馆(匈牙利)等档案馆外,我将查阅由中东欧独立研究人员和机构运营的在线数据库,包括被遗忘的遗产,二级档案馆,ARTLIST,Web umenia等。

项目成果

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其他文献

Internet-administered, low-intensity cognitive behavioral therapy for parents of children treated for cancer: A feasibility trial (ENGAGE).
针对癌症儿童父母的互联网管理、低强度认知行为疗法:可行性试验 (ENGAGE)。
  • DOI:
    10.1002/cam4.5377
  • 发表时间:
    2023-03
  • 期刊:
  • 影响因子:
    4
  • 作者:
  • 通讯作者:
Differences in child and adolescent exposure to unhealthy food and beverage advertising on television in a self-regulatory environment.
在自我监管的环境中,儿童和青少年在电视上接触不健康食品和饮料广告的情况存在差异。
  • DOI:
    10.1186/s12889-023-15027-w
  • 发表时间:
    2023-03-23
  • 期刊:
  • 影响因子:
    4.5
  • 作者:
  • 通讯作者:
The association between rheumatoid arthritis and reduced estimated cardiorespiratory fitness is mediated by physical symptoms and negative emotions: a cross-sectional study.
类风湿性关节炎与估计心肺健康降低之间的关联是由身体症状和负面情绪介导的:一项横断面研究。
  • DOI:
    10.1007/s10067-023-06584-x
  • 发表时间:
    2023-07
  • 期刊:
  • 影响因子:
    3.4
  • 作者:
  • 通讯作者:
ElasticBLAST: accelerating sequence search via cloud computing.
ElasticBLAST:通过云计算加速序列搜索。
  • DOI:
    10.1186/s12859-023-05245-9
  • 发表时间:
    2023-03-26
  • 期刊:
  • 影响因子:
    3
  • 作者:
  • 通讯作者:
Amplified EQCM-D detection of extracellular vesicles using 2D gold nanostructured arrays fabricated by block copolymer self-assembly.
使用通过嵌段共聚物自组装制造的 2D 金纳米结构阵列放大 EQCM-D 检测细胞外囊泡。
  • DOI:
    10.1039/d2nh00424k
  • 发表时间:
    2023-03-27
  • 期刊:
  • 影响因子:
    9.7
  • 作者:
  • 通讯作者:

的其他文献

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{{ truncateString('', 18)}}的其他基金

An implantable biosensor microsystem for real-time measurement of circulating biomarkers
用于实时测量循环生物标志物的植入式生物传感器微系统
  • 批准号:
    2901954
  • 财政年份:
    2028
  • 资助金额:
    --
  • 项目类别:
    Studentship
Exploiting the polysaccharide breakdown capacity of the human gut microbiome to develop environmentally sustainable dishwashing solutions
利用人类肠道微生物群的多糖分解能力来开发环境可持续的洗碗解决方案
  • 批准号:
    2896097
  • 财政年份:
    2027
  • 资助金额:
    --
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可以在颗粒材料中游动的机器人
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    --
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    Studentship
Likelihood and impact of severe space weather events on the resilience of nuclear power and safeguards monitoring.
严重空间天气事件对核电和保障监督的恢复力的可能性和影响。
  • 批准号:
    2908918
  • 财政年份:
    2027
  • 资助金额:
    --
  • 项目类别:
    Studentship
Proton, alpha and gamma irradiation assisted stress corrosion cracking: understanding the fuel-stainless steel interface
质子、α 和 γ 辐照辅助应力腐蚀开裂:了解燃料-不锈钢界面
  • 批准号:
    2908693
  • 财政年份:
    2027
  • 资助金额:
    --
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    Studentship
Field Assisted Sintering of Nuclear Fuel Simulants
核燃料模拟物的现场辅助烧结
  • 批准号:
    2908917
  • 财政年份:
    2027
  • 资助金额:
    --
  • 项目类别:
    Studentship
Assessment of new fatigue capable titanium alloys for aerospace applications
评估用于航空航天应用的新型抗疲劳钛合金
  • 批准号:
    2879438
  • 财政年份:
    2027
  • 资助金额:
    --
  • 项目类别:
    Studentship
CDT year 1 so TBC in Oct 2024
CDT 第 1 年,预计 2024 年 10 月
  • 批准号:
    2879865
  • 财政年份:
    2027
  • 资助金额:
    --
  • 项目类别:
    Studentship
Developing a 3D printed skin model using a Dextran - Collagen hydrogel to analyse the cellular and epigenetic effects of interleukin-17 inhibitors in
使用右旋糖酐-胶原蛋白水凝胶开发 3D 打印皮肤模型,以分析白细胞介素 17 抑制剂的细胞和表观遗传效应
  • 批准号:
    2890513
  • 财政年份:
    2027
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    --
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    Studentship
Understanding the interplay between the gut microbiome, behavior and urbanisation in wild birds
了解野生鸟类肠道微生物组、行为和城市化之间的相互作用
  • 批准号:
    2876993
  • 财政年份:
    2027
  • 资助金额:
    --
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