Manuscript Opera scores of the 18th century in the Bavarian State Library: Cataloguing, digitization and web-based presentation

世纪，慕尼黑选举法院是阿尔卑斯山以北欧洲歌剧的主要中心之一。当时，一个常设歌剧与自己的永久合奏只存在于其他五个住宅。这一时期最重要的流派是意大利歌剧。在世纪早期和中期，大多数歌剧都是由宫廷音乐总监Pietro Torri和Andrea Bernasconi创作的。从1767年起，另一位歌剧作曲家每年都会在选举法庭上获得狂欢节期间歌剧系列的合同（“狂欢节歌剧”），其中包括托马索·特拉埃塔，安东尼奥·萨奇尼，彼得罗·蓬佩奥·萨莱斯，阿莱西奥·普拉蒂，安东尼奥·托齐，安东尼·萨列里，约瑟夫·米斯利维克和约瑟夫·威利博尔德·米歇尔。就连沃尔夫冈·阿马德乌斯·莫扎特的《伊多梅尼奥》于1781年在慕尼黑首演，也是慕尼黑狂欢节歌剧传统的一部分。巴伐利亚州立图书馆的音乐部保存着大约1689年至1820年的213部歌剧乐谱手稿。许多乐谱直接反映了慕尼黑歌剧的历史。这些独特手稿的详细在线编目在很大程度上已经由RISM完成。该项目的目标是将巴伐利亚州立图书馆的18世纪世纪手稿歌剧乐谱数字化并在线访问，以及对尚未收录在RISM数据库中的乐谱进行编目。

In the 18th century, the Munich electoral court was one of the major centers of European opera north of the Alps. At that time a standing opera with its own permanent ensemble existed only in five other residences. The most important genre in this period was the Italian opera seria. In early and mid-18th century most of the operas were composed by the court music directors Pietro Torri and Andrea Bernasconi. From 1767 another opera composer annualy recieved the contract for the opera seria in the carnival season ("Carnival opera") at the electoral court, including Tommaso Traetta, Antonio Sacchini, Pietro Pompeo Sales, Alessio Prati, Antonio Tozzi, Antoni Salieri, Josef Mysliveek and Joseph Willibald Michl. Even Wolfgang Amadeus Mozart, whose "Idomeneo" was premiered in 1781 in Munich, is part of this tradition of the Munich carnival operas. 213 manuscript opera scores from the period of about 1689 to about 1820 are kept in the music department of the Bavarian State Library. Many of the scores directly reflect the Munich opera history. The detailed online cataloguing of these unique manuscripts has already been completed to a large extent by RISM. The objectives of the project are the digitization and online accessibility of the 18th century manuscript opera scores of the Bavarian State Library, as well as the cataloguing of scores not yet contained in the RISM database.