Finalization of the project (in cooperation with the SNF): "Goethe's 'Farbenlehre'. The history of its reception in Berlin 1810-1832"

该项目的主要目的是分析19世纪头几十年柏林对歌德1810年作品《法本莱》的接受情况。该项目由DFG和SNF共同资助，于2018年启动，目前已取得圆满成功。但是，很明显，有关来源的数量远远高于原先的估计。因此，我们申请再延长14个月，这将使我们能够实现项目的目标，并展示其丰富而重要的成果。该项目的主要目标是分析19世纪头几十年柏林对歌德1810年作品“Zur Farbenlehre”的接受情况。歌德本人曾表示，他的作品大多招致了敌意的反应，在出版后不久就消失了，这种观点被学术文献所接受，并在一定程度上得到了支持。然而，相比之下，有迹象表明，歌德在柏林的作品在二十多年来产生了强烈而积极的共鸣，主要是由普鲁士部长阿尔滕斯坦和他的工作人员推动的。他支持从事色彩研究的学者和科学家，其中一些人公开支持歌德的方法。在柏林大学，冯·亨宁安排并主持了一系列关于歌德理论的讲座。此外，Altenstein等人还安排了画家拉贝前往意大利的长时间旅行，以研究歌德提到的艺术作品，并推广歌德的“Farbenlehre”。歌德对冯·亨宁的系列讲座表示赞赏和支持，并积极参与策划和评估拉贝的旅行——因此我们看到了歌德理论的“成功故事”（melller - tamm）。该项目将首次全面分析这一重要的接待事件，并将其置于19世纪初的政治、文化和经济背景中。普鲁士。本文将对大量相关史料进行发掘、呈现和评析，并对其进行系统评价，全面重构这一历史过程。研究结果将以印刷版和电子版的专著形式出版，同时还将附带资料来源和背景资料。所有的历史资料（文件、抄本、评论）都将开放供进一步研究使用。该项目将为歌德研究、科学史以及19世纪上半叶普鲁士文化政治和社会史做出重大贡献。在迄今为止的工作中，该项目非常成功，而且很明显，要包括的原始材料比最初估计的要多得多。为了达到该项目的目标，即重建和呈现歌德作品在柏林的特殊接待的全面画面，这些材料必须包括在内。因此，我们申请将项目再延长14个月。

It is main of the project is to analyse the reception of Goethe s 1810th work Zur Farbenlehre in Berlin in the first decades of the 19th century. The project, jointly funded by DFG and SNF, has started in 2018 and has been full success so far. It has become clear, however, that the amount of relevant sources is far higher than originally estimated. Hence we apply for an extension of another 14 months that will enable to reach the goals of the project and present its rich and significant results.The main goal of the project is to analyse the reception of Goethe’s 1810 work „Zur Farbenlehre“ in Berlin in the first decades of the 19th century. Goethe himself had suggested that his work had evoked mostly hostile reactions and essentially vanished soon after its publication, and this view has been taken over and partly supported in the scholarly literature. By contrast, however, there are indications of a strong and positive resonance of Goethe’s work in Berlin over more than two decades, driven mainly by the Prussian minister Altenstein and his staff. He supported scholars and scientists working on colour research, and some of them publicly supported Goethe’s approach. At Berlin university, a series of lectures on Goethe’s theory was installed and conducted by L. von Henning. Moreover, Altenstein and others arranged an extended journey of the painter Raabe to Italy, to investigate works of art mentioned by Goethe and to popularise Goethe’s „Farbenlehre“. Goethe applauded and supported von Henning’s lecture series and was actively involved in planning and evaluating Raabe’s travel - hence we see a ‚success story‘ (Müller-Tamm) of Goethe’s theory. The project will for the first time analyse this significant episode of reception in full, and place it within its political, cultural and economic context of early 19th ct. Prussia. It will explore, present and comment the bulk of relevant historical sources, and evaluate them systematically to reconstruct this historical process comprehensively. The results will be published as a monograph in print and electronic form, along with the sources and background information. All the historical material (documents, transcriptions, comments) will be made available open-access for further research. The project will provide a significant contribution to Goethe research, to the history of science, and to the history of Prussian cultural politics and society in the first half of 19th century. In its working so far, the project has been extremely successful, and it has become clear that there is significantly more source material to be included than estimated originally. In order to reach the goals of the project, i.e. to reconstruct and present a comprehensive picture of the peculiar reception of Goethe’s work in Berlin, this material has necessarily to be included. Hence we apply for an extension of the project for another 14 months.