A Study on the Negotiation History of Architecture between Japan and Europe

本研究的目的在于厘清西欧人对日本建筑的印象。笔者在日本建筑史学家协会读到一篇关于从马可波罗到19世纪世纪末西欧日本建筑形象的论文。1661年，荷兰的F.Caron通过一些插图介绍了日本建筑，并通过A. Montanus撰写的《Atlas Japanensis》一书中的许多插图确定了建筑形象。在德国E.Francisci出版了一本关于东方的书，提到Caron和其他人（1668年）。因此，欧洲人对17世纪60年代的日本建筑有了共同的认识。但荷兰人和德国人在他们的形象上有很大的不同。当荷兰人在屋顶和装饰中发现建筑的动机时，德国人仍然以欧洲风格设计日本建筑。在德国，许多中国馆建于世纪。18世纪90年代，在柏林的Palas Monbijou公园里，以中国风的方式建造了一座日本馆。日本馆之所以有价值，是因为人们第一次可以区分日本和中国。在19世纪后半叶日德国建筑交涉史上起重要作用的建筑师是恩德和博克曼。作者写了一篇关于恩德和博克曼设计的日本政府办公室计划（1886-1887）的文章。

The purpose of this study is to clarify the image which had been impressed on West European mind about the Japanese architecture. At the Society of Architectural Historians of Japan the author read a paper on the image of Japanese architecture in West Europe from Marco Polo to the end of the 19th century. The Japanese architecture was introduced with a few illustrations by F.Caron in the Netherlands (1661) and the architectural images were fixed decisively by many illustrations which were appeared in a book "Atlas Japanensis" written by A.Montanus. In Germany E.Francisci published a book about the Orient referring to Caron and others (1668) . Thus the European had a common knowledge about Jopanese architecture in the 1660s. But there was a great difference between the Dutch and the German in their images. Wheras the Dutch found the motives of the architectur in the figure of roofs and decorations, the German still designed Japanese architecture by European style. In Germany many Chinese pavilions were built in the 18th century. In the fashion of Chinoiserie a Japanese pavilion was built in the park of Palas Monbijou in Berlin in the 1790s. The Japanese pavilion is valuable because one could distinguish between Japan and China for the first time. The architects who playd an important part in the negotiation history of architecture between Japan and Germany in the second half of the 19th.century were Ende & Bockmann. The author wrote an article on the plans of the Japanese government offices (1886-1887) designed by Ende & Bockmann.