Analysis of Narratives as Myths and Chronicles of Contemporary Latin America

我们的项目旨在澄清当代拉丁美洲的意识形态和文化价值观，分析拉丁美洲的叙事，政治戏剧和民间文化。拉丁美洲国家形成中的独裁者或寡头问题一直是我们关注的焦点，木村指出，加西亚·马尔克斯的叙事倾向是在历史的瞬间而不是在时间的长河中描述一个神话原型的独裁者，他的叙事倾向与加勒比人的口头传统有很强的相似性。吉森指出，拉丁美洲独裁者的政治风格和行为模式应放在历史和社会背景中进行分析，并阐明了1900-1930年秘鲁贵族共和国的寡头政治是依靠秘鲁异质社会的肢解而不是整合。小林探讨了被排斥在政治体系之外的民族与原住民之间的关系。他阐明了1979年桑地诺革命后墨西哥流行戏剧Gueguence的根本性转变，他论述了墨西哥非土著群体的Anahuac文化恢复运动，并评估了其在墨西哥民族主义和土著主义中的意义。我们的项目揭示了许多有待讨论的主题，如口头传统与叙事的关系，民族主义与历史意识。

Our project aimed to clarify the paradigm of ideologies and culture values in contemporary Latin America,analizing the Latin American narratives,political dramas and folk cultures. We had paid much attention to the problem of dictator or oligarchy in Latin American national formation.Kimura makes clear that Garcia Marques would intend to describe a mythological archetype of dictator in history in a moment rather than in chronological history, and his narratives would have a strong resemblance with oral tradition of Caribbean people. Yoshimori points out that political style and behaviour pattern of Latin American dictators should be analized in historical and social context, and clarifies that the oligarchy of aristocratic republic of Peru,1900-1930, had depended on the disarticulation rather than integration of Peruvian heterogenous societies. Kobayashi approaches to the relation between natio and natives who have been coherently excluded from political systems. And he clarifies the radical transformation of Gueguence,a Nicaraguan popular theatre, after the Sandinista Revolution in 1979,and he deals the Anahuac Culture Restoration Movenent by non-indigenous groups in Mexico and evaluates its significance in Mexican nationalism and indigenism.Our project reveals that there remain many themes to be discussed, such as the relation between oral tradition and narratives,nationalism and historical consciousness.