Collaborative Composing in the Early Modern Period

该项目的目的是通过各种案例研究系统地阐明从15世纪末到17世纪初的合作作曲现象。重点是由不止一个演员创作的作品和作品组。问题是1。让几个演员参与作曲过程并相互分享作曲过程的做法背后可能有哪些不同的动机？什么条件下会发生这种情况，第三。在这些模型中，协作组合发生。案例研究中考虑的来源并不完全包括“完整作品”或“个人来源”，即针对个别作曲家的曲目（和表演）量身定制的收藏，但也包括迄今经常被忽视的片段来源类型和工作来源，它们在许多方面首次提供了对生产美学过程的看法。其目的是拓宽对早期现代作曲过程的看法，但也对既定的类别，如工作和作者。

The aim of the project is to systematically illuminate the phenomenon of collaborative composing from the late 15th to the early 17th century in various case studies. The focus is on works and groups of works that were created by more than one actor. The question is 1. which different motivations can lie behind the practice of involving several actors in the composition process and sharing the process of composing with each other, 2. which conditions must be given for this to happen, and 3. in which models collaborative composing takes place. The sources considered in the case studies do not exclusively comprise "complete works" or "personal sources", i.e. collections tailored to the repertoire (and performances) of individual composers, but also hitherto often neglected, fragmentary source types and working sources, which in many respects provide a view of production-aesthetic processes for the first time. The aim is to broaden the perspective on early modern compositional processes, but also on established categories such as work and author.