Axiological Foundation of the Beautiful and Art
Axiological Foundation of the Beautiful and Art
批准号:
05301007
负责人:
SASAKI Ken-ichi
金额:
$3.84万
依托单位:
依托单位国家:
日本
项目类别:
Grant-in-Aid for Co-operative Research (A)
财政年份:
1993
资助国家:
日本
项目状态:
已结题
起止时间:
1993 至 1994
中文摘要
这一年我们开了6次学习会议。这些会议的记者和采访对象如下:akira AMAGASAKI教授在“艺术价值与身体”方面进行了讨论,他以舞蹈为素材,特别关注舞蹈评论家所使用的评判术语,他解释了舞者身体中所发现的特定艺术价值。大部太久教授试图重构18世纪美学的价值论,即当时还没有明确价值观念的美学思想。永野纯子教授从“生命的强度”的角度研究了“崇高”概念的历史发展,从伯克到康德再到尼采;在此过程中,她强调了属于美学范畴的性别形象作为崇高的意义。加藤吉光教授以西田的谓词逻辑和地点概念为主题,试图从生命科学和活力哲学的角度重新描述西田的概念,“寻找生命关系概念上的审美体验”。大石正司教授阐释了尼采虚无主义哲学中以价值重估为目标的绝对肯定所产生的审美价值思想。伊藤鲁美子教授以基维的思想为线索,思考了音乐作品与其演绎(演奏)之间的关系,特别是演绎的真实性问题。在这些会议之外,佐佐木教授在他的书中发表了他对价值概念的研究。我们还编辑了一本报告书,其中包括在前一年的会议和1993年11月举行的小型国际研讨会上宣读的论文,有两位嘉宾发言:波兰的bohdan DZIEMIDOK教授和德国的heinz PAETZOLD教授。
英文摘要
We have had 6 meetings of study during this year. The reporters and their subjects of these meetings are as follows. Prof.Akira AMAGASAKI discussed on the "artistic value and body", taking the materials from dance : giving a particular attention to the judging terms used by the critics of dance, he explained the specific artistic value found in the body of dancers. Prof.Tanehisa OTABE tried to reconstruct the axiology of the 18th century aesthetics, i. e. aesthetic thoughts at the time when there were not distinctive notion of value. Prof.Junko NAGANO studied the historical development of the idea "sublime", from Burke via Kant to Nietzsche, from the viewpoint of "intensity of life" ; in doing so, she underlined the meaning of gender image proper to the aesthetic category as the sublime. Prof.Yoshimitsu KATO made subject of the logic of predicate and the notion of place proposed by K.Nishida, and tried to "found the aesthetic experience on the notion of vital relationship" in redescribing the notions of Nishida from the viewpoint of science of life and vitalistic philosophy. Prof.Masashi OISHI explained the thought of the aesthetic value produced by an absolut affirmation, in the nihilistic philosophy of Nietzsche who aimed the reevaluation of value. Prof.Rumiko ITO,taking the clue of the thoughts of P.Kivy, considered on the relation between the work of music and its interpretation(playing), especially on the problem of authenticity of interpretation. Outside these meetings, Prof.K.SASAKI published his study of the idea of value in his book. We edited also a report book, including the papers read at the memetings of previous year and the small international symposium held November 1993 with two guest speakers : Prof.Bohdan DZIEMIDOK from Poland Prof.Heinz PAETZOLD from Germany.
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尼ヶ崎彬: "和歌のレトリック" 言語. 23-6. 30-38 (1994)
尼崎彰:《和歌修辞学》23-6 30-38 (1994)。
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尼ヶ崎彬: "枠と緑-日本詩歌の修辞法" 叢書 比較文学比較文化. 5. 35-61 (1994)
尼崎彰:《框架与绿色——日本诗歌的修辞学》系列比较文学与文化。5. 35-61 (1994)。
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尼ヶ崎彬: "劇的なるものの起源" シアターアーツ. 1. 49-58 (1994)
尼崎彰:《戏剧事物的起源》戏剧艺术 1. 49-58 (1994)。
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庄野進・高野紀子(編著): "音楽のテアトロン" 剄草書房, 216 (1994)
Susumu Shono 和 Noriko Takano(编辑):《音乐剧》《Shakuso Shobo》,216(1994)
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庄野 進: "音環境の零度" 騒音制御. 17-4. 12-15 (1993)
Susumu Shono:“声音环境零”噪音控制17-4(1993)。
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共 52 条
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批准号:18H01239
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Modern Japanese Aesthetics (Meiji-Taisho era)
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财政年份:1995
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