The Past Has Ears (PHE)

当我们想到欧洲历史上的伟大建筑成就时，比如古代圆形剧场或哥特式大教堂，它们的重要性与它们的声学环境密切相关。遗产遗址的音响效果是该空间有形的建筑和家具的无形结果。它是短暂的，同时也是环境物理性质的具体结果。通过“Past Has Ears”项目(PHE项目)，我们将探索如何通过测量、研究和虚拟重建来记录、重建和体验现有空间和各种变化状态下的遗产空间的声学。受该项目的同名(Phe‘，凤凰星座)以及最近巴黎圣母院(2019年)和Teatro La Fenice歌剧院(1996，也意味着凤凰)的火灾的启发，PHE项目专注于遗产遗址的保护、保护和重建，将它们从废墟中带回供研究人员、股东、文化机构、该联盟将与具有声学重建和历史研究经验的研究团队以及具有重要声学意义的国家遗产古迹相结合，开发一种联合方法，与不同学科的历史学家一起解决整个欧洲的相关考古声学问题。物质/非物质文化遗产法律问题专家确保了方法准则的可行性和持久性。该联盟将制作下一代探测工具的原型，向科学家和博物馆参观者展示数字声学重建。结果将与相关的测试遗产网站进行评估，这些网站是与利益相关者和经验丰富的内容制作人合作创建的。演示方法提供了现场或非现场的第一人称探索，能够体验不同的历史时期。对于恶化的场地，这种方法提供了进入现场无法体验的情况的途径。其他用途包括参与式体验，使用现场音乐会和其他在遗产声学体验的活动的实时重建。

When we think about great architectural achievements in European history, such as ancient amphitheatres or gothic cathedrals, their importance is strongly tied to their acoustic environment. The acoustics of a heritage site is an intangible consequence of the space's tangible construction and furnishings. It is ephemeral, while also a concrete result of the physical nature of the environment. Through the "Past Has Ears" project (the PHE project), we will explore how via measurements, research, and virtual reconstructions the acoustics of heritage spaces can be documented, reconstructed, and experienced for spaces both existing and in various altered states.Inspired by the project's namesake (Phe', for the constellation Phoenix), and the relatively recent fires at Notre Dame Cathedral in Paris (2019) and Teatro La Fenice opera hall (1996, also meaning Phoenix), the PHE project focuses on the preservation, conservation, and reconstruction of heritage sites, bringing them back from the ashes for use by researchers, stake holders, cultural institutions, and the general public.Comprising research teams with experience in acoustic reconstructions and historical research, paired with national heritage monuments of acoustic importance, the consortium will develop a joint methodology for addressing relevant archaeological acoustics issues across Europe with historians of different disciplines. Specialists in tangible/intangible cultural heritage legal issues ensure the viability and longevity of the methodology guidelines. The consortium will prototype next generation exploration tools for presenting digital acoustic reconstructions to scientists and museum visitors alike. Results will be evaluated with associated test heritage sites, created in partnership with stakeholders and experienced content producers. Presentation methods provide first-person in-situ or off- site explorations, with the ability to experience various historical periods. For deteriorated sites, this approach provides access to situations impossible to experience on-site. Additional uses include participative experiences, employing real-time reconstructions for on-site concerts and other events experienced in the heritage acoustics.