The application of motion-capture technology in telematic and virtual dance performance through a framework for long-distance remote communication

这个项目涉及一个独特的用例和对新的无标记动作捕捉系统(如感知神经元和Posenet)在舞蹈作品的远程创作、排练、教学和表演中的启示的实验探索。这些方面包括：负担得起且易于使用的动作捕捉技术，作为编排的创造性工具实时远程远程信息舞蹈交流远程协作设计舞蹈编排在线和互动表演远程排练表演虚拟空间中的虚拟编排使用智能机器进行编排(机器学习)三维舞蹈编排远程教学用于表演的舞蹈动作的抽象的生成性美学可视化我们将提供：一个用于远距离远程交流动作数据的框架，供舞者(和视听创意人员)远程练习、排练和表演。这个框架包括：一个代码模板初学者工具包，供创意人员设计a)定制动作可视化和b)虚拟表演的外观和体验在线观众通过数字设备与表演互动的可控界面一个动作和手势数据库，可用于训练舞者和机器软件之间基于机器学习的互动的动作模型本项目满足了舞蹈公司对可用的技术的迫切需求，以超越视频会议平台的限制。随着这些公司从巡回演出和新作品的制作转向其他活动，我们将提出强有力的理由，将时间和资源应用于研究流，以探索可以在全球范围内数字共享的编舞实践的潜在未来。

This project involves a unique use-case and experimental exploration of the affordances of new marker-less motion-capture systems such as Perception Neuron and Posenet in the remote creation, rehearsal, teaching, and performance of dance work. Aspects of this are:Affordable and accessible motion-capture technology as a creative tool for choreographyReal-time telematic dance communicationRemote collaborative devising of dance choreographyOnline and interactive performanceRemote rehearsal of performanceVirtual choreography in virtual spacesChoreography with intelligent machines (machine learning)Remote teaching of dance choreography in three dimensionsAbstracted generative aesthetic visualisation of dance movement for performanceWe will deliver:A framework for long-distance remote communication of movement data for dancers (and audio-visual creatives) to practice, rehearse and perform remotely but together. This framework includes:A code template starter-kit for creatives to design a) custom movement visualizations and b) appearances and experiences for virtual performanceA controllable interface for online audiences to interact with performances through a digital deviceA database of movements and gestures that can be used to train movement models for machine-learning-based interactions between dancers and machine softwareThis project addresses an urgent need for useable technology for dance companies to move beyond the limitations of video conferencing platforms. As these companies pivot from touring and the production of new work to other activities, we will make a strong case for the application of time and resources into streams of research into potential futures of choreographic practice that can be digitally shared worldwide.