Performance, multilingualism and transnationalism in the exophonic poetry of Tristan Tzara and Isidore Isou.

该项目旨在通过分析达达主义和莱特主义的创始人：罗马尼亚犹太艺术家特里斯坦·扎拉(1896--1963年)和伊西多尔·伊苏(1925--2007年)的诗歌作品，探索20世纪达达主义和莱特主义文学运动的多语言层面。在搬到巴黎后，Tzara和Isou决定不再说罗马尼亚语，而是说法语。他们搬到法国后写的诗包括来自意第绪语、希伯来语、意大利语、拉丁语、罗马尼亚语和菲扬语和毛利语等大洋洲语言的单词和字母。该项目将分析这些未被探索的语言在他们的诗歌中的使用，这些语言正在融合和组成所谓的“跨国诗歌”。该项目的核心目的是从文体和意识形态上评价扎拉和伊索在其文化背景下的多语种诗歌。

This project aims at exploring the multilingual dimension of the 20th Century literary movements of Dadaism and Lettrism through an analysis of the poetic works of their respective founders: the Jewish Romanian artists Tristan Tzara (1896-1963) and Isidore Isou (1925-2007). After moving to Paris, Tzara and Isou decided to stop speaking Romanian and instead speak French. The poetry they wrote after their relocation to France includes words and letters coming from Yiddish, Hebrew, Italian, Latin, Romanian and Oceanic languages such as Fijan and Maori. The project will analyse the use of these underexplored languages in their poetry, that are merging and composing what is called 'transnational poetry'. The core aim of the project is to evaluate stylistically and ideologically the multilingual poetry of Tzara and Isou within their cultural background.