Archivestudies and figure editorial work concerning 'A fresh view on Byzantine wall-paintings in Turkey' (monograph)

关于专著《土耳其拜占庭壁画新观》的档案研究和人物编辑工作。Ruggieri教授(罗马东方教皇学院)人物档案中彩色图像的研究和选择。为出版物生成数字图像。建立包括文本编辑在内的专著图像的数字一致性。这部作品还与自己的档案馆和其他机构(柏林博物馆，源自西奥多·维甘德的部分遗产)、以弗所博物馆(M.Büyükolanci博士)以及‘Institute für Byzanzforschung’(弗里德里希·希尔德博士，维也纳大学)的许多图像合作。这些必须与鲁杰里教授的罗马材料相一致。建立数字清单和图片校样，以及为最终出版物生成(设计、排版)彩色图版。*此外，在津贴结束后，Günter Paulus Schiemenz教授(基尔)提供了非常有价值的保卢斯-Höhle山壁画的历史照片。拉特莫斯山脉(小亚细亚西部，1968年在那里有记载)，并从一个迄今不为人知的洞穴中为目前的图书出版提供正在进行的工作。罗宾·科马克教授(剑桥)还向我提供了加里亚州Aphrodisias的壁画中的其他照片，以及鲁杰里教授最近安纳托利亚之行的一些照片。与罗马出版社共同制定的财务计划于2015年12月被新研究所的董事会(PIO，罗马)接受(见附件)，但现在导致了大量的额外工作，因为出版商现在要求以.tiff格式提交所有照片的特殊数字格式的照片。因此，书中的插图部分必须重新制作和重新编号，这也是特此申请续作的主要原因之一，因为该项目直到现在才能完成。

Archive studies and figure editorial work concerning the monograph 'A fresh view on Byzantine wall-paintings in Turkey'. Research and selection of color images in the figure archive of Prof. Ruggieri (Pontifcio Istituto Orientale, Rome). Generation of digital images for the publication. Set up of a numerical concordance of the images for the monograph including text editorial. The work also in-cooperates many images from the own archive and those of other institutions (Berliner Museen, derived of the partial estate of Theodor Wiegand), the Ephesos Museum (Dr. M. Büyükkolanci) and also of the 'Institute für Byzanzforschung' (Dr. Friedrich Hild, Vienna Univeristy). Those have to be brought into concordance with the Roman material of Prof. Ruggieri. Set up of a list of figures and a pictorial proof as well as the generation (design, layout) of color plates for the final publication. Final revision of the figure numbers in the text (all above, as until now).* Additionally after the end of the stipend, Professor Günter Paulus Schiemenz (Kiel) offered highly valuable historical photos of wall-paintings from the Paulus-Höhle, Mt. Latmos range (Western Asia Minor, as documented there in 1968) and from a so far unknown cave to supply the present book publication as the work in progress. Professor Robin Cormack (Cambridge) also supplied me with additional photos from wall-paintings at Aphrodisias, Caria plus some photos from the recent Anatolia trip of Professor Ruggieri. The financial plan set up together with the publishing house in Rome, was accepted (in December 2015, see attachment) by the new institute's directorate (PIO, Rome), but causes now plenty of additional work, because the publishers now demanded to hand in all pictures in a special digital format of the photos as .tiff format. So, the picture part of the book has to be reworked and renumbered and this is also one of the main reasons in hereby applying continuation, because the project could not be finished until now.