Critical edition and commentary of Ramon Llull's Lectura super figuras Artis demonstrativae et Liber chaos

拉蒙·鲁尔 (Ramon Llull) 的《Lectura super Figuras Artis demostrativae et Liber Chaos》的评论版和评论

基本信息

项目摘要

The many works – around 280 – written by the Majorcan philosopher of religion and mystic Ramon Llull (Lat. Raimundus Lullus, 1232–1316) after his conversion in 1263 follow the goal of providing the representatives of the competing religions Judaism and Islam a path to the core Christian doctrines of the Trinity and the Incarnation that is not based on authoritative texts but on rational argumentation alone. Llull was convinced of having found such a path in his "Ars", a method he developed over the course of several decades, beginning with his Ars compendiosa inveniendi veritatem (ca. 1274) and culminating in his Ars generalis ultima (1305–1308).Ramon Llull wrote the Lectura super figuras Artis demonstrativae et Liber chaos in Montpellier between 1285 and 1287. This work is connected to the Ars demonstrativa, which he wrote in the year 1283. The Ars demonstrativa is the second important version of the Lullian "Ars" after the first account in his Ars compendiosa inveniendi veritatem (ca. 1274). In it, he indeed develops a new method of logical demonstration as an alternative to the classical Aristotelian propter quid and quia. He refers to this method himself as "demonstratio per aequiparantiam". Llull’s aim is to convert the unbelievers by means of a rational demonstration of the triune God without calling on the support of authorities like the Holy Scriptures or the Church Fathers. The work has been transmitted in a Latin version included in 17 extant manuscripts. A part of the Lectura known as the Liber chaos has survived in a special, independent transmission in 21 further manuscripts. In this part of the work, Llull explains the theory of chaos and the constitution of the material substances from the prima materia. This cosmological and natural philosophical topic is ultimately a theological goal, because it has to be considered in connection with the question of the resurrection of the body. A critical edition of this work is one of the principal gaps in current Llull research, as it was disseminated widely among the first Humanists, such as Nicholas of Cusa (1401–1464) and Sozomeno of Pistoia (1387–1458).
马略卡岛的宗教哲学家和神秘主义者拉蒙。雷蒙图斯·卢卢斯(1232-1316)在1263年皈依基督教后,他的目标是为犹太教和伊斯兰教的代表提供一条通往基督教三位一体和道成肉身的核心教义的道路,这种教义不是基于权威文本,而是仅仅基于理性论证。从1274年的《发明概论》(Ars compendiosa inveniendi veritem)到1305-1308年的《终极概论》(Ars generalis ultima),他花了几十年的时间发展出了这种方法。拉蒙·鲁在1285年至1287年期间在蒙彼利埃写了《超级人物的艺术示范与自由》一书。这部作品与他写于1283年的《论证论》有关。《实证法》是鲁里安《实证法》的第二个重要版本,仅次于他的《实证法》(约1274年)中的第一个版本。在这本书中,他确实发展了一种新的逻辑论证方法,作为古典亚里士多德的固有性质的替代物。他把这种方法称为“等效论证”。Llull的目的是通过理性地证明三位一体的上帝,而不需要像圣经或教父这样的权威的支持,来改变不信者的信仰。这部作品以拉丁文版本传播,收录在现存的17份手稿中。《讲稿》的一部分被称为“利伯混乱”,以一种特殊的、独立的方式在另外21份手稿中幸存下来。在这一部分作品中,Llull从原始物质出发解释了混沌理论和物质物质的构成。这个宇宙论和自然哲学主题最终是一个神学目标,因为它必须与身体复活的问题联系起来考虑。这部作品的批判版是当前尤勒研究的主要空白之一,因为它在第一批人文主义者中广泛传播,如库萨的尼古拉斯(1401-1464)和皮斯托亚的索佐梅诺(1387-1458)。

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