Digitization of the French and Japanese Prints and Drawings in the Department of Prints and Drawings at Kunsthalle Bremen

不来梅艺术馆版画和绘画部门法国和日本版画和绘画的数字化

• 批准号: 396786752
• 负责人: Dr. Christian Bracht
• 金额: --
• 依托单位: Deutsches Dokumentationszentrum für Kunstgeschichte - Bildarchiv Foto Marburg
• 依托单位国家: 德国
• 项目类别: Cataloguing and Digitisation (Scientific Library Services and Information Systems)
• 财政年份: 2018
• 资助国家: 德国
• 起止时间: 2017-12-31 至 2022-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/396786752?language=en
• 关键词: Digitization; French; Japanese; Prints; Drawings

The aim of the project is to digitize about 17,000 French and 1,000 Japanese prints of the Department of Prints and Drawings of the Kunsthalle Bremen and to make them available for research and the general public. These two collections are unique in the German-speaking world, both in quality and because of the exceptional quantity of works.The Department of Prints and Drawings in Bremen is one of the richest and most important graphic collections in Germany and enjoys a great reputation nationally and internationally. It is the origin and the heart of the Bremen collection but it is also the least known part, since works on paper can only be exhibited for limited periods of three to four months due to their high light sensitivity. The collection of the Department has been assembled from the foundation of the Kunstverein in Bremen (the Bremen Art Association) in 1823, one of the oldest art associations in Germany.The outstanding quality of the collections of French and Japanese art is due to the fact that these were mainly assembled by three directors: Gustav Pauli, Emil Waldmann and Günter Busch, who led the institution between 1899 and 1984. They enlarged the collection with special expertise, awareness of the collection’s history and character and in productive cooperation with private collectors.The graphic works will be digitized and, for the first time, systematically incorporated into the collection database. The image contents will be indexed with the international, multilingual standard vocabulary, Iconclass. The database will be one of the few in Germany to provide public access to information on previous ownership of the works. The aim is to create a "biography" of the objects – as complete as possible for each of the approximately 1,900 drawings – from their creation to the acquisition by the Kunsthalle Bremen. Research results on previous owner biographies will to be forwarded to the Gemeinsame Normdatei (GND). The use of standard data, as well as the information on access to the collection, serves, in particular, scientific research and sustainable and broad access to the research results.The digitization project will provide the crucial database for the empirical study of the collection holdings. The digitization of the important collection of French art in particular promises to reveal essential new information, which is particularly relevant for the understanding of the collecting history under the directors Waldmann and Busch during the difficult years of World War II and the post-War period.The results of the project will be published in the online catalog of the Kunsthalle Bremen, in the Graphikportal (graphics portal) and the German Digital Library. Furthermore they will be presented under the aspect of their particular art historical interconnections in an online exhibition and in an exhibition of the Department of Prints and Drawings at the Kunsthalle Bremen.

该项目的目的是将大约17,000名法国人和1,000个日本印刷品印刷和库恩斯塔尔·布雷默（Kunthalle Bremen）的图纸数字化，并使它们可用于研究和公众。这两个集合在讲德语的世界中都是独一无二的，无论是在质量上还是由于工作量的数量都很高。不来梅的印刷和绘画部是德国最富有，最重要的图形收藏之一，并且在国内和国际上都享受了一项伟大的评论。这是不来梅收藏的起源和核心，但也是最不知名的部分，因为由于其高光敏性，纸上的作品只能在有限的三到四个月内展示。该部门的集合是从1823年在不来梅的昆斯特林（不来梅艺术协会）的基础组成的，这是德国最古老的艺术协会之一。法国和日本艺术品集的出色质量是由于三名导演由三名导演组成的事实：Gustav Pauli，Emil Waldmann和gunter and gunter and gular and delar and dudan and dedran and dudran and dedran and dedran and dedran and inder and dudlan and dudran and inder and。具有特殊专业知识的收藏，对收藏的历史和角色以及与私人收藏家的产品合作的认识。图形作品将被数字化，并首次系统地将其系统地纳入收集数据库中。图像内容将以国际，多语言标准词汇量为iConClass索引。该数据库将是德国为数不多的公众访问有关该作品以前所有权的信息的访问之一。目的是创建对象的“传记”（大约1,900张图纸中的每个图纸，都可以从创建到Kunsthalle Bremen的收购。对先前所有者传记的研究结果将转发给Gemeinsame Normdatei（GND）。使用标准数据以及有关访问该收藏的信息的使用，特别是科学研究以及可持续的研究结果。数字化项目将为收集资产的经验研究提供至关重要的数据库。在第二次世界大战的艰难时期和战后期间，该项目的成果将在库恩斯特勒布雷曼的在线目录中发表在库恩斯特尔·布雷曼（Kunsthalle Bremen）的在线目录，在图形porterical portrabs portrabs porthict portriptal porthige porthige porthige porthiplice porthiplice porthiplice porthiplipe porthick portription，尤其有望揭示法国艺术的重要数字化。此外，在在线展览中以及在昆斯塔尔·布雷默（Kunsthalle Bremen）的印刷和绘画部展览中，将在其特定的艺术历史互连方面介绍它们。