Functions and Ways of Use of the Visual Image in Religious Art. : Comparative Studies between Buddhist and Christian Art

视觉形象在宗教艺术中的功能和使用方式。

• 批准号: 12410019
• 负责人: MIYAJI Akira
• 金额: $ 5.44万
• 依托单位: Nagoya University
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (B)
• 财政年份: 2000
• 资助国家: 日本
• 起止时间: 2000 至 2001
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-12410019/
• 关键词: Religious Art; Buddhisim; Christianity; History of Art; Religious Practice; Religious Architecture; Image; Ritual

We held five study meetings in two years, in which, featuring Buddhist and Christian art, papers were read and each theme was broadly discussed by research members and associate members. Based upon the results of our studies and discussion, we prepared for a report and the publication was realized.Inviting Mr. Seinosuke Ide (National Research Institute for Cultural Properties, Tokyo) who majored in the history of Buddhist art in Eastern Asia and Mr. Tomoyuki Masuda (Joshibi University of Art and Design) who majored in Christian art to attend our meetings as lecturers, we, after each presentation, had animated discussions on the subjects focusing on the edification and ritual in religious art. We developed the arguments about the subject how each Buddhist art in China, Korea and Japan was treated in religious practice on Buddhism and about the connection between liturgy and paintings on Christianity. Moreover, dealing with the Tateyaaa Cult in Buddhist art, we invited Mr. Kunihiko Shimizu (Kanazawa University) who majored in ethnography and Mr. Jun Takasu (Aichi University of Education) who studied about the art of Rokudo, we discussed about the relation between religious ritual and architectures, statues, Mandala and so on.Through the presentations and discussions, it was ascertained that both Buddhist and Christian art deeply related with religious practice such as edification, worship, medication for visualizing. At the same time, from the view point of religious practice, the parallel phenomena of Buddhist art and Christian art as well as each originality were defined. Based upon these results, we, organizer and members, developed each theme and published a report titled "Functions and Ways of Use of the Visual image in Religious Art."

我们在两年内举行了五次学习会议，其中以佛教和基督教艺术为特色，阅读论文，并由研究成员和准成员广泛讨论每个主题。根据我们的研究和讨论结果，我们准备了一份报告，并实现了出版。（国立文化财产研究所，东京）东亚佛教艺术史专业教授和增田智之增田先生（艺术设计大学）谁在基督教艺术专业参加我们的会议作为讲师，我们，每次演讲后，围绕宗教艺术中的教化与仪式展开了热烈的讨论，并对中国、韩国、日本的佛教艺术在佛教宗教实践中如何对待以及仪式与基督教绘画之间的关系展开了讨论。此外，关于佛教艺术中的塔提亚教，我们邀请了清水邦彦先生，（金泽大学）谁主修人种学和高须纯先生（爱知教育大学）研究了六道艺术，我们讨论了宗教仪式与建筑，雕像，曼荼罗等的关系。通过演讲和讨论，佛教艺术和基督教艺术都与宗教实践有着密切的联系，如教化、崇拜、药物观想等。同时，从宗教实践的角度，对佛教艺术与基督教艺术的并行现象以及各自的独创性进行了界定。根据这些结果，我们，组织者和成员，开发了每个主题，并发表了一份题为“宗教艺术中视觉图像的功能和使用方式”的报告。"

项目成果

Akira MIYAJI: "A Bas-Relief of Eight-Armed Avalokitesvara as Saviour of Men, probably from Swat, Pakistan"South Asian Archaeology 1997. Vol.III. 1249-1266 (2000)

Akira MIYAJI：“八臂观音浅浮雕作为人类的救世主，可能来自巴基斯坦斯瓦特”南亚考古学 1997 年。第三卷。

宮治昭 他: "世界美術大全集 東洋編13 トンド(1)"小学館. 460 (2000)

Haruaki Miya等：《世界艺术全集东方版13 Tondo（1）》小学馆460（2000）。

阿部泰郎: "1200年前後-後白河院・後鳥羽院の時代"国文学 解釈と教材の研究. 45巻7号. 36-41 (2000)

安倍康朗：《1200年前后——后白川和后鸟羽时代》日本文学解读与研究教材第45卷第7期36-41（2000年）

宮治昭: "大乗仏教の美術-その源流を探る-"大法輪. 67巻7号. 122-129 (2000)

Haruaki Miya：“大乘佛教的艺术 - 探索其起源”Daidharma，第 67 卷，第 7. 122-129 (2000)。

藤井 恵介: "密教の建築と空間について"智山学報. 50輯. 1-28 (2001)

藤井圭介：《论密教的建筑与空间》Chizan Gakuho卷50. 1-28（2001）。