COMPARATIVE STUDY OF BUDDHIST AND CHRISTIAN ARTS FROM A VIEWPOINT OF RELIGEOUS PRACTICE

宗教实践视角下的佛教与基督教艺术比较研究

• 批准号: 09410019
• 负责人: MIYAJI Akira
• 金额: $ 4.29万
• 依托单位: NAGOYA UNIVERSITY
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (B)
• 财政年份: 1997
• 资助国家: 日本
• 起止时间: 1997 至 1998
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-09410019/
• 关键词: BUDDHIST ART; CHRISTIAN ART; RERIGEOUS ART; RERIGEOUS PRACTICE; RITUAL; PREACHING; WORSHIP; CONTEPLATION

On this fiscal year of Heisci 11 (April 1998- March 1999), we had two meetings at University of Koya-san and at the School of Letters of Nagoya University. On these occasions, we had report of the results by each research member and discussions and talked about lines of future reserch. The original purpose of our resereh is to consider visual images and their functions in various religious practices and activities, by comparing Buddhist and Christian Arts and by synthesizing partial studies in each domain of diffrent disciplines : art history, history, literature, cultural anthropology, etc. But, restricted principally by time, we had not attained one of our main objets, comparison of Buddhist and Christian Arts. Nevertheless it would be important for the next stages of reseach that students of these two major fields of religous art had continual occasions to report from the viewpoint of the relation between art and religious pratice as well as to acquire footings for the camparative study. Through the meetings, we have arrived at the conviction that, in Buddhism and Christianity, art held a prominent place in practices such as worship (cult, devotion) , contemplation (meditation) , rite (ritual, liturgy) , instruction (education, enlightenment) , that not only form their basis, but also produce a profound- effect on all social strata and components of every society and culture. We printed a repport containing 11 articles (l4Opp. in sum) in March 1999.

在本会计年度（1998年4月至1999年3月），我们在高野山大学和名古屋大学文学院举行了两次会议。在这些场合，我们有每个研究成员的结果报告，并讨论和讨论了未来的研究方向。我们研究的最初目的是考虑视觉图像及其在各种宗教实践和活动中的功能，通过比较佛教和基督教艺术，并通过综合不同学科的各个领域的部分研究：艺术史、历史学、文学、文化人类学等。但是，主要由于时间的限制，我们还没有达到我们的主要目标之一，佛教和基督教艺术的比较。然而，对于下一阶段的研究来说，重要的是这两个主要宗教艺术领域的学生有持续的机会从艺术与宗教实践之间的关系的角度进行报告，并为比较研究获得基础。通过这些会议，我们确信，在佛教和基督教中，艺术在崇拜（崇拜，虔诚），沉思（冥想），仪式（仪式，礼仪），指导（教育，启蒙）等实践中占有突出地位，这不仅构成了它们的基础，而且对所有社会阶层和每个社会和文化的组成部分产生了深远的影响。我们印了一份载有11篇文章的报告。在1999年3月。

项目成果

MIYAJI AKIRA,YOSHIKAWA: ICONOLOGY OF BUDDHIST ART. KOBUNKAN, 1-226 (1999)

宫地彰、吉川：佛教艺术的形象学。

宮治昭: "トウルファンのトヨク石屈の観想図について" 美術史論壇. 7. 77-109 (1998)

Haruaki Miya：“论Tourfan Toyoku Ishikage的沉思绘画”《艺术史评论》7. 77-109 (1998)。

宮治 昭 (共著): "世界美術大全集 東洋編14 インド(2)" 小学館, 40 (1999)

宫地晃（合着）：《世界美术全集东方版14印度（2）》小学馆，40（1999）

MORI MASAHIDE: "TANTRIC BUDDHIST ART FROM CUTTACK DISTRICT,ORISSA." 23・2. 359-536 (1998)

森昌秀：“来自奥里萨邦克塔克地区的密宗佛教艺术”23・2（1998）

MIYAJI AKIRA: "WALL PAINTINGS OF MONK'S CONTEMPLATION ON A PURE LAND IN THE TOYUK CAVES,TURFAN" ART HISTORY FORUM. vol.7,2/2. (1998)

宫地明：《吐鲁番托育克洞窟净土僧禅思壁画》艺术史论坛。