Studies on Buddhist Art from the viewpoint of Exchange and Tradition-From India to Japan-

从交流与传统的角度研究佛教艺术——从印度到日本——

• 批准号: 16320020
• 负责人: MIYAJI Akira
• 金额: $ 9.47万
• 依托单位: Ryukoku University (2007)Nagoya University (2004-2006)
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (B)
• 财政年份: 2004
• 资助国家: 日本
• 起止时间: 2004 至 2007
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-16320020/
• 关键词: Illustrated Jatakas; Illustrated Buddha's Life Story; Jado Art; Illustrated Pure Land based on the GuanwulianE; Art of Six Realms; 浄土図; 迎講; 六道十王図; 浄土観想図; 不浄観想図; 地獄絵; 涅槃図; 半跏思惟像; 四川省摩崖石刻; 触地印仏陀像; 仏伝涅槃図; 摩耶夫人; 生死輪; アジャンター; 敦煌

The purpose of our research is to clarify some aspects of the propagation of the Buddhist Art from India to Japan through the Central Asia, China and Korea, and its transition and development, taking the multifaceted viewpoint of' 'Exchange and Tradition.' We have placed emphasis on the themes such as Jatakas, Biography of Buddha, Jodo art, and the art of Six Realms. They are all main themes of the Buddhist art and furthermore they show their great transition and developments on the way to spread over from India to Eastern Asia.(1) Studies on the Jatakas deal with a aspect of the changes from the narratives based on the thought of the reincarnation by karma in India to the narratives stressing the six practices in China. Moreover, the process that Dipa〓kara Jataka as the beginning episode of Sakyamuni Buddha in Gandhara developed as the thought of the prophecy of future enlightenment (vyakarana) is clarified.(2) Studies on the illustrated biography of Buddha focused on the 'Maravijaya' … More or the 'enlightenment' and the 'Nirvana' or the 'Death of Buddha' to reach the following conclusion; The discourse on the Maravijaya shows the iconographic features of the Mara, his subordinates, his daughters and the earth goddess seen in every countries or areas and periods to trace the transition from India to the Central Asia, and on to China. A study on Nirvana discusses the development of the narrative representation; it started from the beginning as a part of the biography based on the Palis Mahapalnnivva〓a-suttanta and then connected with the cult of stupas and of the Maitreya in India and Central Asia, and finally and finally developed to the completion of the iconography related with Mahayana texts such as Mahaparinirvana-sutra and during T'ang China.(3) As for the Jodo Art, we examined several topics ; the aspects of the creation of the transformation scene of Pure Land in Gandhara, the relationship between the meditation practice and the Jodo paintings in Central Asia, the relationship between the illustrated Jodo and the Jodo text Guanwuliangshoujing from the Northern Qi to the early T'ang dynasty and the development of the transformation scenes of the Pure land based on the former text in China, Korea and Japan.(4) On the Art of Six realms, we examine the comparative study of the Six realms art in China and Japan, and also focus on the relationship between the Jizojuo-zu and Sui-riku-ga, and the relation between the depiction of the impurity of the human realms such as the illustrated decomposing corpse and the Kusoshi handscroll and the contemplation to clarify the aspects of the respective individuality and link in China and Japan from the viewpoint of 'Exchange and Tradition'. Less

本研究的目的是从“交流与传统”的多角度出发，阐明佛教艺术从印度到日本，经过中亚、中国、朝鲜的传播及其过渡与发展的某些方面。“我们强调了本生、佛传、柔道艺术和六道艺术等主题。它们都是佛教艺术的主要题材，而且它们还显示了佛教艺术从印度向东亚传播过程中的巨大转变和发展。(1)本生学研究的一个侧面是从印度因果报应的轮回叙事到中国的六道轮回叙事的转变。此外，还阐明了作为犍陀罗释迦牟尼佛起始集的《蒂帕迦罗本生》作为未来觉悟的预言思想的发展过程。(2)关于佛陀图解传记的研究集中在“Maravijaya” ...更多信息 或“觉悟”和“涅槃”或“佛陀之死”，以得出以下结论;关于摩罗的论述展示了从印度到中亚，再到中国的各个国家或地区和时期所见的摩罗、他的下属、他的女儿和大地女神的图像特征。涅磐的研究讨论了叙事表现的发展;它从一开始作为基于Palis Mahaparnnivva Suttanta的传记的一部分开始，然后与印度和中亚的佛塔和弥勒佛的崇拜有关，最后发展到与大乘经文如Mahaparinirvana-sutra和中国唐朝有关的图像学的完成。(3)至于柔道艺术，我们研究了几个主题;犍陀罗净土转化场景的创造，冥想练习与中亚乔多绘画的关系，北方至唐初的《观无量寿经》与《图说》的关系及在此基础上的净土变易景象的发展中国、韩国和日本的文本。(4)在《六道艺术》一书中，我们对中日两国的六道艺术进行了比较研究，并着重探讨了地藏十二祖与水日贺的关系，以及腐尸图鉴、草人手卷等对人间不洁的描写与从中国文化的角度来阐明中日两国各自的个性和联系的思考之间的关系。“交流与合作”。少

项目成果

宇宙主釈迦佛-印度・中亜・中国

宇宙主释迦牟尼佛 - 印度、中国、中国

• 发表时间: 2006
• 期刊: 藝術学 22
• 作者: 宮治昭著;林保尭訳
• 通讯作者: 林保尭訳

第IV章 研究事項 第1節 扉絵について

第四章 研究事项 第一节 关于封面艺术

• 发表时间: 2008
• 期刊: 重要文化財 白山社奥社本殿他保存修理報告書
• 作者: KAWAI;Shoichiro;中野 照男
• 通讯作者: 中野 照男

Jiku no Tabibito-So-Gen Butsuga wo megutte-

Jiku no Tababito-So-Gen Butsuga wo megutte-

• 发表时间: 2007
• 期刊: Kanagawakenritsu Rekishi-Hakubutsukan ed., Kanagawakenritsu Hakubutsukan Kaikan 40 Shunen Kinen Tokubetsu-ten'So-Gen Butsuga'Catalogue
• 作者: Satoru;NAGAMI;内野儀;Seinosuke IDE
• 通讯作者: Seinosuke IDE

The Genesis of Buddhist image:System of the Integration with other Religions into Buddhism

佛教形象的起源:佛教与其他宗教融合的体系

• 发表时间: 2006
• 期刊: Journal of Studies for the Integrated Text Science Vol.4,no.1
• 作者: MIYAJI;Akira
• 通讯作者: Akira

出光美術館本六道十王図に見る伝統と地域性

出光美术馆六堂十王图的传统和地域特色

• 发表时间: 2006
• 期刊: 宗教民俗研究 第16号
• 作者: KAWAI;Shoichiro;鷹巣 純
• 通讯作者: 鷹巣 純